
Anthony McGill on Samuel Coleridge-Taylor, the art of interpretation, and expanding the canon.
Anthony McGill on Samuel Coleridge-Taylor, the art of interpretation, and expanding the canon.
The Grossman Ensemble encourages productive failure.
On Tippet Rise, a classical music festival on Native American land.
Alex Temple’s polystylistic exuberance.
“The Mother of Us All” at Hudson Hall.
Pierre Audi’s vision for the Park Avenue Armory.
Claire Chase and Anna Thorvaldsdóttir shape the concert.
On the New York premiere of “Three Way.”