Artist managers are routinely subject to sexual harassment and economic exploitation.
Olivia Giovetti
The “Dead Girls” of Opera.
Artist managers are routinely subject to sexual harassment and economic exploitation.
On “La Passion de Simone.”
On the impact of Dmitri Hvorostovsky
On politics and solace in Schubert’s “Winterreise.”
Opera owes its heritage to the Middle East. Why do we silence this legacy?