Alina Rotaru wants to change the notes.
Pierre Hantaï teaches himself.
An interview with Jean Rondeau.
How Andrew Lawrence King tries to compose like Monteverdi.
Alice Goodman defends her libretto to “The Death of Klinghoffer.”
Kristian Bezuidenhout wants to program music in its context.
The harpsichordist Richard Egarr’s music between worlds.
Paul Jacobs trusts his audience.