• 11. April 2019 •

The provocations of Frederic Rzewski.

 • 6. March 2019 •

An Interview with Laurie Anderson

 • 14. February 2019 •

The novelist Garth Greenwell on singing, literature, and the physicality of language.

 • 24. January 2019 •

The intensity of Daniil Trifonov.

 • 17. January 2019 •

An interview with Jaap van Zweden.

 • 20. December 2018 •

A Chinese promoter on whether his country can save classical music.

 • 10. May 2018 •

Jessica Cottis is always leading.

 • 4. April 2019 •

The radical commitment of Pablo Casals.

 • 30. August 2018 •

On Tippet Rise, a classical music festival on Native American land.

 • 4. April 2019 •

Opera owes its heritage to the Middle East. Why do we silence this legacy?

 • 26. July 2018

Bang on a Can, “Arthur,” and the avant-garde music meme factory.

 • 26. July 2018

Transcendence and frustration, at the Aix-en-Provence Festival.

 • 21. June 2018 •

Listening to Simon Rattle’s goodbye concert in Berlin.

 • 7. June 2018 •

Censorship, political correctness, and the legacy of “America’s Troubadour.”

 • 27. March 2019 • ,

What’s next for Barenboim and the Staatsoper?

 • 18. January 2018 • ,

A satire, a lawsuit, and a thin-skinned violinist.

 • 4. October 2018 •

The decline of one of America’s great composers.

 • 30. August 2018 •

A concert protests the weaponization of atonal music.

 • 23. August 2018 •

What happened to an entire generation of promising composers?

 • 23. August 2018 •

What happened to an entire generation of promising composers?

 • 23. August 2018 •

What happened to an entire generation of promising composers?

 • 20. December 2018 •

Classical music in the world’s next superpower.

 • 16. August 2018 •

What would singers do without them?

 • 5. April 2018 •

And wound up hating Mozart.

 • 8. March 2018 •

A corrective to the 2018 Oscars Original Score shortlist.

 • 25. January 2018 •

The trombonist and composer’s formative years.

 • 21. December 2017 •

The top 10 composers who only wrote one famous piece.

 • 14. December 2017 •

And almost seriously injured myself.

 • 21. June 2018 • ,

Rattle and the Berlin Philharmonic have had enough.

 • 13. September 2018 •

Artist managers are routinely subject to sexual harassment and economic exploitation.

 • 13. September 2018 •

Artist managers are routinely subject to sexual harassment and economic exploitation.

 • 13. September 2018 •

Artist managers are routinely subject to sexual harassment and economic exploitation.

 • 13. September 2018 •

Artist managers are routinely subject to sexual harassment and economic exploitation.

 • 9. June 2016 •

The Black tenors who’ve taken on the role of Otello.

 • 5. July 2018 •

Is a popular perfect pitch course a revelation or a scam?

 • 3. May 2018 •

Unpacking the Instagram score-studying aesthetic.

 • 22. September 2016 •

Who’s Your Conductor Soul Mate?

 • 15. June 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 27. April 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 30. March 2017 •

What classical music gets up Facebook, Twitter, and Instagram.

 • 30. March 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 26. January 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 20. April 2017 •

Sounds and wanderings by the composer Kristina Wolfe.

 • 19. January 2017 •

Empathy and perception with the composer Sky Macklay.

 • 27. October 2016 •

Katherine Balch dives into plant sounds, nonlinear novels, humming, and shivering.

 • 6. October 2016 •

Cult appeal and the universe with the composer Dylan Mattingly.

 • 18. August 2016 •

Procrastination and the search for simplicity with the composer Natalie Draper.

 • 28. April 2016 •

Scoring Hong Kong film and arranging Harry Partch.

 • 3. March 2016 •

Playing Chopin and poker, at home and abroad.

 • 11. May 2017 •

A photo essay from Thessia Machado’s studio.

 • 8. September 2016 •

Where do piano tuners spend their days?

 • 18. February 2016 •

Listening to Kim Jong-il’s operas.

 • 18. January 2016 •

A photo essay from an organ builder’s workshop.

 • 15. December 2016 •

Matt Haimovitz in Sarasota, Florida.

 • 8. September 2016 •

Matt Haimovitz in Cormons, Italy.

 • 28. July 2016 •

Matt Haimovitz in Fishtail, Montana.

 • 4. January 2018 •

Who loved it, who hated it – Seth MacFarlane at the San Francisco Symphony.

 • 30. November 2017 •

Who loved it, who hated it – “Girls of the Golden West.”

 • 8. October 2017 •

Who loved it, who hated it – “Elektra” at the Deutsche Oper.

 • 31. March 2016 • ,

Two graphic designers on new classical album covers.

 • 18. February 2016 •

A poem by David Ferry, in sound.