• 24. October 2019 •

An interview with the legendary agent Jasper Parrott.

 • 20. December 2018 •

A Chinese promoter on whether his country can save classical music.

 • 31. October 2019 •

Alan Hollinghurst on music.

 • 18. July 2019 •

The permanent revisions of Peter Eötvös.

 • 22. May 2019 •

Alan Gilbert starts fresh.

 • 2. November 2017 • , ,

Unsuk Chin suffers for her art.

 • 10. May 2019 •

Andrew Manze’s committed spontaneity.

 • 5. December 2019 •

A Longtime Assistant Remembers Mariss Jansons.

 • 4. July 2019 •

The surprising progressivism of Paul Dukas.

 • 8. October 2017 •

On listening to music while airborne.

 • 29. June 2017 •

Is the prevalence of suicide in opera harmful or healing?

 • 18. July 2019 •

How ambient is changing classical music.

 • 7. August 2019 •

There is no absolution in art or life. A dispatch from Bayreuth.

 • 18. June 2019 •

The loss and rediscovery of Croatia’s groundbreaking electroacoustic music scene.

 • 20. April 2017 •

How did the repertoire become so narrow?

 • 13. June 2019 •

Anna Netrebko’s defense of blackface.

 • 21. November 2019 •

What opera should be learning from the movies.

 • 27. March 2019 • ,

What’s next for Barenboim and the Staatsoper?

 • 18. January 2018 • ,

A satire, a lawsuit, and a thin-skinned violinist.

 • 2. October 2019 •

The high-stress, low-reward world of the page turner.

 • 4. October 2018 •

The decline of one of America’s great composers.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 26. September 2019 •

18 years after they were first reported, allegations of sexual harassment at the Butler School of Music continue.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 21. June 2018 • ,

Rattle and the Berlin Philharmonic have had enough.

 • 5. April 2018 •

And wound up hating Mozart.

 • 20. December 2018 •

Classical music in the world’s next superpower.

 • 16. August 2018 •

What would singers do without them?

 • 8. March 2018 •

A corrective to the 2018 Oscars Original Score shortlist.

 • 25. January 2018 •

The trombonist and composer’s formative years.

 • 21. December 2017 •

The top 10 composers who only wrote one famous piece.

 • 14. December 2017 •

And almost seriously injured myself.

 • 3. May 2018 •

Unpacking the Instagram score-studying aesthetic.

 • 22. September 2016 •

Who’s Your Conductor Soul Mate?

 • 15. June 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 27. April 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 30. March 2017 •

What classical music gets up Facebook, Twitter, and Instagram.

 • 30. March 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 26. January 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 20. April 2017 •

Sounds and wanderings by the composer Kristina Wolfe.

 • 19. January 2017 •

Empathy and perception with the composer Sky Macklay.

 • 27. October 2016 •

Katherine Balch dives into plant sounds, nonlinear novels, humming, and shivering.

 • 6. October 2016 •

Cult appeal and the universe with the composer Dylan Mattingly.

 • 18. August 2016 •

Procrastination and the search for simplicity with the composer Natalie Draper.

 • 28. April 2016 •

Scoring Hong Kong film and arranging Harry Partch.

 • 3. March 2016 •

Playing Chopin and poker, at home and abroad.

 • 11. May 2017 •

A photo essay from Thessia Machado’s studio.

 • 8. September 2016 •

Where do piano tuners spend their days?

 • 18. February 2016 •

Listening to Kim Jong-il’s operas.

 • 18. January 2016 •

A photo essay from an organ builder’s workshop.

 • 15. December 2016 •

Matt Haimovitz in Sarasota, Florida.

 • 8. September 2016 •

Matt Haimovitz in Cormons, Italy.

 • 28. July 2016 •

Matt Haimovitz in Fishtail, Montana.

 • 4. January 2018 •

Who loved it, who hated it – Seth MacFarlane at the San Francisco Symphony.

 • 30. November 2017 •

Who loved it, who hated it – “Girls of the Golden West.”

 • 8. October 2017 •

Who loved it, who hated it – “Elektra” at the Deutsche Oper.

 • 31. March 2016 • ,

Two graphic designers on new classical album covers.

 • 18. February 2016 •

A poem by David Ferry, in sound.