• 26. March 2020 •

A profile of Cenk Ergün.

 • 19. March 2020 •

What it’s like playing for a stream in an empty Miller Theatre.

 • 5. February 2020 •

Philip Thomas configures the moment.

 • 27. February 2020 •

Early music is Gwendolyn Toth’s religion.

 • 11. December 2019 •

Cameron Carpenter and the feedback loop of notoriety.

 • 31. October 2019 •

Alan Hollinghurst on music.

 • 24. October 2019 •

An interview with the legendary agent Jasper Parrott.

 • 7. June 2018 •

Censorship, political correctness, and the legacy of “America’s Troubadour.”

 • 20. January 2020 •

Remembering Linda Shaver-Gleason.

 • 7. June 2018 •

A music critic listens with depression.

 • 5. December 2019 •

A Longtime Assistant Remembers Mariss Jansons.

 • 8. October 2017 •

On listening to music while airborne.

 • 4. July 2019 •

The surprising progressivism of Paul Dukas.

 • 18. July 2019 •

How ambient is changing classical music.

 • 2. October 2019 •

The high-stress, low-reward world of the page turner.

 • 5. March 2020 •

Tracing Beethoven’s Ninth through the Brexit debacle.

 • 16. January 2020 •

Classical musicians in a culture war.

 • 20. April 2017 •

How did the repertoire become so narrow?

 • 21. November 2019 •

What opera should be learning from the movies.

 • 13. June 2019 •

Anna Netrebko’s defense of blackface.

 • 27. March 2019 • ,

What’s next for Barenboim and the Staatsoper?

 • 2. April 2020 • , ,

How the crisis will tectonically change classical music.

 • 10. August 2017 •

The aesthetic campaigning of Against Modern Opera Productions.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 26. September 2019 •

18 years after they were first reported, allegations of sexual harassment at the Butler School of Music continue.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 16. May 2019 • ,

How the artist manager Xenia Evangelista converts hope into cash.

 • 5. April 2018 •

And wound up hating Mozart.

 • 20. December 2018 •

Classical music in the world’s next superpower.

 • 16. August 2018 •

What would singers do without them?

 • 9. January 2020 •

Happy 250th!

 • 8. March 2018 •

A corrective to the 2018 Oscars Original Score shortlist.

 • 25. January 2018 •

The trombonist and composer’s formative years.

 • 21. December 2017 •

The top 10 composers who only wrote one famous piece.

 • 3. May 2018 •

Unpacking the Instagram score-studying aesthetic.

 • 22. September 2016 •

Who’s Your Conductor Soul Mate?

 • 15. June 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 27. April 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 30. March 2017 •

What classical music gets up Facebook, Twitter, and Instagram.

 • 30. March 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 26. January 2017 •

What classical music gets up to on Facebook, Twitter, and Instagram.

 • 20. April 2017 •

Sounds and wanderings by the composer Kristina Wolfe.

 • 19. January 2017 •

Empathy and perception with the composer Sky Macklay.

 • 27. October 2016 •

Katherine Balch dives into plant sounds, nonlinear novels, humming, and shivering.

 • 6. October 2016 •

Cult appeal and the universe with the composer Dylan Mattingly.

 • 18. August 2016 •

Procrastination and the search for simplicity with the composer Natalie Draper.

 • 28. April 2016 •

Scoring Hong Kong film and arranging Harry Partch.

 • 3. March 2016 •

Playing Chopin and poker, at home and abroad.

 • 11. May 2017 •

A photo essay from Thessia Machado’s studio.

 • 8. September 2016 •

Where do piano tuners spend their days?

 • 18. February 2016 •

Listening to Kim Jong-il’s operas.

 • 18. January 2016 •

A photo essay from an organ builder’s workshop.

 • 15. December 2016 •

Matt Haimovitz in Sarasota, Florida.

 • 8. September 2016 •

Matt Haimovitz in Cormons, Italy.

 • 28. July 2016 •

Matt Haimovitz in Fishtail, Montana.

 • 4. January 2018 •

Who loved it, who hated it – Seth MacFarlane at the San Francisco Symphony.

 • 30. November 2017 •

Who loved it, who hated it – “Girls of the Golden West.”

 • 8. October 2017 •

Who loved it, who hated it – “Elektra” at the Deutsche Oper.

 • 31. March 2016 • ,

Two graphic designers on new classical album covers.

 • 18. February 2016 •

A poem by David Ferry, in sound.