In Taiwan, an orchestra plays by COVID rules.
Censorship, political correctness, and the legacy of “America’s Troubadour.”
How the crisis will tectonically change classical music.
The composer and saxophonist Matthew Evan Taylor on false binaries, anger as pitch, and the surprises of working with visual artists.
“The assumption is often that music is used to drown out other sounds of torture; in fact, music is an additional weapon used against prisoners.”