Listening to classical music can occasionally give you the kind of blow on the head that the hero of Mark Twain’s novel A Connecticut Yankee in King Arthur’s Court receives: all of a sudden you’re in a different time and place. Thanks to our very own HIPsters, it’s possible to hear music just—or almost—as it […]
Author Archives: Hartmut Welscher
... earned degrees in development studies, Asian studies, and cultural anthropology from universities in Berlin, Seoul, Edinburgh, and London. He is a founder of VAN, where he serves as publisher and editor-in-chief.
Posted inInterview
“I’m Grateful to Destiny”
Violinist Gidon Kremer was unusually quick to develop an aesthetic of his own and has long been ahead of his time. This independence is most obvious in his love for contemporary music, which he developed as a conservatory student in Moscow and which brought him into contact with composers such as Pärt, Schnittke, Gubaidulina, and […]
Posted inInterview
The Production of Light
At a time of justified anger at Russia’s invasion of Ukraine, it is easy to forget that decency and courage can still be found in the country today. On February 23, 2022, pianist Polina Osetinskaya wrote on her Facebook profile, “Current mood: turn over in your pillow not to see this reality and cry over […]
Posted inInterview
Unfurling the Image
Have you heard a concert, seen a play, or watched an opera, any time in the last 30 years? (Or read VAN?) If so, you’ve probably come across a photograph by Monika Rittershaus. She’s one of Europe’s best and most in-demand theater photographers, working with leading houses, conductors and directors. Rittershaus is the first choice—and […]
Posted inBreaking
After Barenboim
Every era has to end. Except, so it seemed, the Daniel Barenboim Era at the Berlin Staatsoper. His legacy for the musical life of Berlin is so monumental precisely because it extends far past the city’s musical life. Instead of merely administering his legacy, the Staatsoper needs a fresh start. When Daniel Barenboim signed his […]
Posted inInterview
Multiple Realities
In the first weeks of the Russian invasion of Ukraine, Denys Karachevtsev recorded himself playing Bach’s Fifth Cello Suite in front of bombed-out buildings in Kharkiv. The videos went viral, becoming iconic documents of the beginning of the war. Karachevtsev, aged 30, is a cellist at the opera house in Kharkiv and teaches at the […]
Posted inBreaking
The Vienna Philharmonic’s Secret Tour of Hong Kong
When European orchestras tour in Asia, their social media teams usually go into overdrive. Facebook, Twitter, and Instagram fill up with photos of basses on buses and musicians enjoying local delicacies. This content faces homeward. Fans, funders, donors, and the competition see the international prestige of the group reflected in its dispatches from the road. […]
Posted inInterview
Holding the Center
In 2018, outgoing Berlin Philharmonic music director Simon Rattle told the orchestra’s in-house magazine, 128, “You probably need to be 90 to conduct this orchestra correctly.” Swedish conductor Herbert Blomstedt, age 95, proved the truth to this remark in a concert with the orchestra at the end of September. The Berlin Philharmonic is known for […]
Posted inBreaking
The Ground Shifting Beneath Teodor Currentzis
In war, truth is the first casualty, as the saying goes. Maybe the second or third casualty is a sense of perspective about what happens on war’s periphery. When the world is divided into friend and foe, it’s hard to find space for the in-between. But that’s where the truth is usually found. Greek-Russian conductor […]
Posted inInterview
“I’m Just Not a Star”
For over 30 years, Frank Peter Zimmermann has been one of the best and most successful German violinists on the international concert circus. Now seemed like a good time to take stock and look both backward and forward. I reached the 57-year-old on FaceTime from his house in Cologne. He apologized for canceling an interview […]