Posted inInterview

Title Change

Has New York’s Metropolitan Opera, led by manager Peter Gelb since 2006 and probably at once the most beloved and most hated institution in all of classical music, been going through an astonishing rough patch? Or has its visibility simply made it a lightning rod for systemic issues facing the entire field? The last seven […]

Posted inInterview

The Never-Ending Task

After 19 years leading the Minnesota Orchestra, Finnish conductor Osmo Vänskä will be saying goodbye this month, with performances of Mahler’s Symphony No. 8 from June 10 to 12 and a “farewell celebration” on June 17. His tenure with the orchestra—and especially the recordings he’s made with the group—have been almost universally acclaimed: It took […]

Posted inPlaylist

A Beautiful Serialism Playlist

Like some others on the 300-million-headed-hydra of hysteria known as Twitter, I was mildly irked on April 26 when the Columbia University linguist and New York Times op-ed writer John McWhorter published an essay titled “Classical Music Doesn’t Have to be Ugly to be Good.” Citing two recent books, McWhorter argues, among other things, that […]

Posted inInterview

Dangerous Symbols

On April 14, the Russian keyboard player Alexei Lubimov and the singer Yana Ivanilova performed a concert at DK Rassvet, a venue in central Moscow which, similar to New York’s (Le) Poisson Rouge, hosts concerts and cultural events and doubles as a club. As Lubimov was performing playing a solo portion of the concert, with […]

Posted inInterview

Hit Me in the Belly

On March 18, the trumpet player Håkan Hardenberger celebrated his 60th birthday with a concert with the Swedish Radio Symphony Orchestra, where he performed Brett Dean’s trumpet concerto “Dramatis personae,” and smiled gamely (and sipped champagne) through an encore rendition of the theme from “Superman” in his honor. (Disclosure: As with my recent interview with […]

Posted inInterview

Renaissance State

A few weeks ago, I traveled to Stockholm to speak with English conductor Daniel Harding and hear a rehearsal and concert with the Swedish Radio Symphony Orchestra, which Harding has led since 2007. (Disclosure: The orchestra covered my flights and hotel for the trip.) Harding and I had lunch together at a restaurant so fancy […]

Posted inReport

“I Can’t Wait to Play Again”

The Youth Symphony Orchestra of Ukraine (YsOU) was founded in 2016 with support from German musical institutions and under the artistic direction of the conductor Oksana Lyniv. The orchestra is open to musicians ages 12 to 22, and is free for participants. The ensemble has toured in Germany, Austria, Croatia, and other countries, and planned […]

Posted inInterview

The Light at the End

On February 13, English mezzo-soprano Alice Coote will perform the role of Mère Marie de l’Incarnation in Francis Poulenc’s opera “Dialogue des Carmélites” at the Zurich Opera. It’s her second production—and first set of full rehearsals—since the start of the pandemic, and there are still worries about COVID-19: The cast has made an agreement that […]

Posted inReport

For Better, For Worse

At the beginning of Ingmar Bergman’s “Scenes from a Marriage,” we meet Marianne and Johan, a couple being interviewed for a magazine story about successful relationships. In the next scene, Marianne asks Johan, “Do you believe two people can spend a lifetime together?” “It’s a ridiculous convention passed down from God knows where,” he answers.“A […]

Posted inInterview

Luxurious Boredom

When countertenor Anthony Roth Costanzo was 11 years old, he performed in a Broadway production of “The Sound of Music” alongside capital-P Personality Marie Osmond. Out of the goodness of her heart, Osmond offered the boy a deep discount on her range of dolls, a line she developed with the television shopping channel QVC. Costanzo […]

Exit mobile version