Norman Lebrecht’s book Who Killed Classical Music was published in 1996, and contained an infamous anecdote about a conductor, named under a pseudonym, abusing children. The culprit was widely rumored to be James Levine. (In a recent groundbreaking investigation, Malcolm Gay and Kay Lazar of the Boston Globe confirmed a similar incident to the one […]
Author Archives: Jeffrey Arlo Brown
... has been an editor at VAN since 2015. His work has also appeared in Slate, The Baffler, The Outline, The Calvert Journal, and Electric Lit. He lives in Berlin.
Posted inInterview
Flying Blind
Musicians who feel that their instruments have been mishandled by airlines like to unleash avalanches of outrage on social media, followed by petitions and calls for boycotts. British Airways recently tested tempers when gate agents refused to take three of the Kronos Quartet’s instruments on board. The quartet responded with a pledge to boycott the […]
Posted inInterview
The Bernstein Effect
On an unusually sunny February afternoon, I met Craig Urquhart in his apartment at Berlin’s Nollendorfplatz, the beating heart of the city’s gay life. (Christopher Isherwood once rented a place here.) “I’m going to be very bad and have a gin,” Urquhart said, but then realized he didn’t have any ice. Urquhart was a longtime […]
Posted inReport
Season In, Season Out
On September 30, 2002, two civil rights lawyers, Johnnie L. Cochran, Jr. and Cyrus Mehri, released a report called “Black Coaches in the National Football League: Superior Performance, Inferior Opportunities.” By then, the problem of diversity in the sport had already been widely acknowledged. “A panel of ESPN experts were asked their opinion on the […]
Posted inReport
A Hall of Mirrors
How strange to be older than an army specialist. One gray, drizzly day at Fort Campbell, in Kentucky, a 24-year-old firefighter with brown hair, a pale complexion, and a self-deprecating sense of humor was struggling to play a C major scale with both hands on a little keyboard. As I watched her instructor, a blond […]
Posted inInterview
Weather Systems
I’m on the train to Hamburg, listening to Nico Muhly’s opera “Two Boys” and struggling to form an opinion about it. Some of the composition sounds plain to my ears, and the lines of the detective, sung with wide vibrato, sound a little silly, but there are also gorgeous choral moments. In interviews, Muhly frequently […]
Posted inInterview
Singing Within
I had tea with the tenor Mark Padmore one recent afternoon, backstage at the Berlin Philharmonic as it rained and hailed outside. He wore a black sweater over a light gray dress shirt and a sleek bronze bracelet, and had just finished a rehearsal with the violinist Pekka Kuusisto and members of the Karajan Academy, […]
Posted inOpinion
Who’s Afraid Of Daniel Hope?
Yes, we’ve seen the video. Over the last few days, the classical music media has become aware of a small but telling scandal. A Berlin-based concert curator, dramaturg, and VAN contributor named Arno Lücker published a shred on his blog. The video, part of a mashup genre in which new audio tracks are added to […]
Posted inProfile
The Mischief I Made
When a friend sent me a YouTube video of Helmut Lachenmann’s newest piece, “Marche fatale” for orchestra, I texted him back asking, “Holy shit, is this a joke?” The eminent German, who writes noisy works of intimidating craft and intelligence, who has probably single-handedly invented more new instrumental sounds than anyone in music history, had […]
Posted inInterview
Make It Hurt
On October 26, 2017, the alto Wiebke Lehmkuhl sang a note—a G or an E flat, if I’m not mistaken—that was so quiet and smooth it sounded more like a boy than many boy sopranos do. The piece was Bach’s Mass in B Minor, conducted by Ton Koopman at the Berlin Philharmonic, penultimate movement, the […]