A few nights ago, I sat in Berlin’s Philharmonie listening to the Deutsches Sinfonie-Orchester Berlin under the direction of Kent Nagano. The program was practically a Greatest Hits of German romanticism and late-romanticism: Wagner’s “Tristan” prelude and “Liebestod”; the orchestral version of Schoenberg’s “Verklärte Nacht”; Schubert’s Unfinished; Richard Strauss’s “Four Last Songs.” I thought about […]
