In the third episode of “Dekalog,” Krzysztof Kieślowski’s ten-part series of interconnected short films (each based on one of the Ten Commandments), cab driver Janusz’s Christmas Eve is interrupted by Ewa, his former extramarital lover. Janusz abandons his family dinner to assist Ewa with what he believes is tracking down her missing husband. What Ewa […]
Author Archives: Olivia Giovetti
Posted inStuff I’ve Been Hearing
Leagues of Nations
Among the cameos in Singing Like Germans: Black Musicians in the Land of Bach, Beethoven and Brahms, Kira Thurman’s jam-packed history of Black performers in German-speaking Europe, is Claudio Brindis de Salas Garrido. Thurman describes the virtuoso violinist as “a mirror reflecting German conversations about Black masculine musicality in the Kaiserreich,” or the German Empire. […]
Posted inStuff I’ve Been Hearing
A Closer Look
“It is strange,” writes Sonya Bilocerkowycz in On Our Way Home from the Revolution, “how the match of one fruit seller in Tunisia lit the whole Arab Spring. I wonder what would have happened if the local authorities in Sidi Bouzid had just picked a different day to bother him.… Now it’s after the revolution, […]
Posted inStuff I’ve Been Hearing
Reference, Reframed
When you think about it, it’s a wonder that Dvořák didn’t emerge as a hero of the pandemic. Perhaps we’re too conditioned to think of him as the composer of the “Slavonic Dances” or that one opera that has demonstrated you can have a Black woman play the Little Mermaid and the world won’t implode. […]
Posted inStuff I’ve Been Hearing
Weather Patterns
“You are the sky,” says the Tibetan Buddhist nun Pema Chödrön. “Everything else is just the weather.” Chödrön offers this as a guide for dealing with strong emotions—a more tangible variation on “this too shall pass.” Emotions arise and, while they feel like they may fully inhabit every pore of our body, they rarely leave […]
Posted inStuff I’ve Been Hearing
In the Wake
Classical music isn’t known for being in-the-moment: Seasons are planned years in advance, and there are people who still refer to “The Rite of Spring” (1913) as “contemporary” music. Even in this deferred environment, however, lockdown albums and works composed in the mindset of social distancing are nothing new. With so much downtime and so […]
Posted inPlaylist
A Dark Academia Playlist
I hadn’t heard of Dark Academia—a subculture born on Tumblr that soon migrated to Instagram and TikTok—until sometime last year when I suddenly started seeing posts about Donna Tartt’s The Secret History everywhere. One of my favorite books, I was surprised to see it now become the basis of memes, outfits of the day, playlists, […]
Posted inStuff I’ve Been Hearing
Sense and Sensuality
Simon Zaoui, Pierre Fouchenneret, Raphaël Merlin, Marie Chilemme, and Quatuor Strada: “Gabriel Fauré: Horizons II” (Aparté) Marie-Eve Munger, Les Boréades de Montréal, Philippe Bourque: “Maestrino Mozart” (ATMA Classique) Mirga Gražinytė-Tyla, City of Birmingham Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, Kirill Gerstein, Marie-Christine Zupancic: “Mieczysław Weinberg: Symphonies Nos. 3 & 7, Flute Concerto No. 1” (Deutsche Grammophon) […]
Posted inInterview
The Responsibility of Connection
On Saturday, October 15, the International Contemporary Ensemble presents “Peyvand (پیوند),” a program of works featuring the ensemble (currently celebrating its 20th anniversary). What began as a collaboration between IntCE with Composers Now and the Cheswatyr Foundation—which commissioned a work by Niloufar Nourbakhsh to honor the life and legacy of philanthropist Cece Wasserman—grew into a […]
Posted inInterview
The Troubled Kids Club
Starting tomorrow, the New York-based Experiments in Opera will launch its latest venture: a ten-part video opera series told in 15-minute segments. Each segment is written by a different composer-librettist team. In “Everything for Dawn,” the eponymous heroine spends her critical teenage years coming to terms with her father’s mental illness and eventual suicide, which […]