Watching a Yorgos Lanthimos film invariably leads to esoteric questions. Via “Dogtooth”: Why are you calling an armchair a “sea”? From “The Lobster”: If you had to be irreversibly changed into an animal, which one would you pick? And, thanks to Lanthimos’s new short, “Bleat,” co-commissioned by the Greek National Opera and cultural nonprofit NEON: […]
Author Archives: Olivia Giovetti
Posted inStuff I’ve Been Hearing
Time Lost and Found
Czech Philharmonic, Semyon Bychkov, Chen Reiss: “Mahler: Symphony No. 4” (Pentatone) Vicky Chow, Jane Antonia Cornish: “Sierra” (Cantaloupe) If you know anything about Proust’s mammoth In Search of Lost Time, it’s a moment from the first installment, Swann’s Way. In it, Proust describes the moment of unlocking an old memory of Sunday mornings spent with […]
Posted inStuff I’ve Been Hearing
Moth Elegies
If there was ever a case for establishing a middle ground between separating the art from the artist and not, it’s Othmar Schoeck. Born in 1886 by the shores of Lake Lucerne, Schoeck found himself in the unfortunate position of being a dyed-in-the-wool Romantic working in a world that was trending inexorably towards the modern […]
Posted inPlaylist
A May Day Playlist
Whether your Labor Day falls on May 1 or the first Monday in September, the core concept remains the same: honoring the workers who keep countries running. In this decade, we’re facing another cultural reexamination of work—one perhaps best summarized by a TikTok sound that has somehow been attributed to both “RuPaul’s Drag Race” and […]
Posted inStuff I’ve Been Hearing
Imitations and Intimations
Alexei Lubimov: “The Seven Last Words of Christ on the Cross” (ECM) Alexei Lubimov, Ivan Monighetti: “Silvestrov: Piano Sonatas, Cello Sonata” (Erato) Radu Lupu, Zubin Mehta, Israel Philharmonic Orchestra: “Beethoven: Piano Concerto Nos. 3 & 5” (Decca) Nicholas Angelich: “Prokofiev: Visions Fugitives, Piano Sonata No. 8 and Romeo & Juliet” (Erato) “I play Haydn after […]
Posted inStuff I’ve Been Hearing
Night Music
Justina Jaruševičiūtė: “Silhouettes” (Piano and Coffee Records) Camerata Zürich, Igor Karsko: “Leoš Janáček: On an Overgrown Path” (ECM) Golda Schultz, Jonathan Ware: “This Be Her Verse” (Alpha Classics) Justina Jaruševičiūtė describes the “Wolf Hour” as “that time of night in which people wake up without any particular reason and can’t fall back asleep.” It’s an […]
Posted inStuff I’ve Been Hearing
Wild Locusts and Honey
Raphaël Pichon, Pygmalion, et. al.: “Bach: ‘Saint Matthew Passion’” (Harmonia Mundi) John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, et. al.: “Bach: ‘Saint John Passion’” (Deutsche Grammophon) Harry Bickett, The English Concert, et. al: “Handel: ‘La Resurrezione’” (Outhere Music) In the Gospel of Mary of Magdala, a post-crucifixion Jesus returns to earth. He tells his […]
Posted inStuff I’ve Been Hearing
At Rest
Asmik Grigorian, Lukas Geniušas: “Dissonance” (Alpha Classics) Gegham Grigorian, Bolshoi Theatre Orchestra, Mark Ermler: “Arias from Operas” (Melodiya; archival reissue) Irena Milkevičiūtė, Ričardas Biveinis: “Russian Romances” (Melodiya; archival reissue) As a rule, Chekhov’s plays end cynically, unceremoniously closing the door on yet another bleak house. The exception to this is “Uncle Vanya,” which offers a […]
Posted inStuff I’ve Been Hearing
The Polyhedral Spree
Ramon Lazkano, Neue Vocalsolisten Stuttgart, L’Instant Donnée, Johanna Zimmer, Manuel Nawri: “Diptyque Jabès” (Odradek) Les Siècles, François Xavier Roth, et. al.: ”Pelléas et Mélisande” (Harmonia Mundi) Kate Soper: “The Understanding of All Things” (New Focus Recordings) The Syrian poet and diplomat Nizar Qabbani wrote that words are like sparrows: they don’t require travel visas. I […]
Posted inReport
Fooling Mother Nature
It’s at around the 15-minute mark that I’m pretty sure I’ve pissed off Renée Fleming. Speaking with America’s most famous living soprano just before last October’s release of her latest recording, “Voice of Nature: The Anthropocene,” I’ve gone into our conversation anxious to discuss one of the album’s central themes: the climate crisis. Programming for […]