Posted inReview

Deep Listen: Clara Iannotta

I’m listening to “dead wasps in the jam-jar (ii),” a string work by Clara Iannotta, and I’m disoriented. Though I play violin in string orchestras, and have for years, I feel like a layperson without any visual information. How do the performers make those frog croaks—bowing overpressure, probably, but with or without the left hand? […]

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Two Sides Of A Concert, Part II

The new John Adams opera “Girls of the Golden West” depicts the Gold Rush, an iconic moment in California history when people of different backgrounds suddenly came to live in the same place. With Adams, director Peter Sellars constructed much of the libretto from the letters of Louise Clappe, an educated woman who wrote under […]

Posted inOpinion

Surveying the Orchestra

Why is the Repertoire So Narrow? By · Date 04/20/2017 Das 10. Kölner Fest für Alte Musik begibt sich unter dem Motto Early Music: Reload auf die Suche nach ungewöhnlichen Konzertformaten und öffnet sich neuen Impulsen. Dazu verwandelt sich das vom zamus veranstaltete Festival in ein Labor des Komponierens, Experimentierens, Improvisierens und Diskutierens über alle […]

Posted inReport

The Age-Old Problem of Aging

Physicality and The Soloist’s Career By · TITLE IMAGE Jeremy Brooks (CC BY-NC 2.0) · Date 02/16/2016 There’s a strange clip after a beautiful performance in “I Am The Violin,” the 2004 documentary about violin virtuoso Ida Haendel. On a simple string crossing in the first movement of the Brahms Concerto, Haendel’s bow bounces uncontrollably. […]

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