What’s the carbon footprint for a beheading? And why is this seemingly the one question I am unable to answer via Google? I mean, yes, I could just review the new studio recording of Puccini’s “Turandot,” including the role debuts of Jonas Kaufmann as the Calaf and Sondra Radvanovsky in the title role, as well […]
Category: Stuff I’ve Been Hearing
Children of Humanity
“When you reach a certain age, you become aware, as a composer, that you will not be able to compose it all, that there is a limit,” writes Bent Sørensen. In 2014, at the relatively spry age of 56, Sørensen decided that the one work he wanted to compose beyond anything else was a St. […]
Weary Deserts and Distant Sounds
If I had to name a favorite Strauss opera, “Daphne” would make a Cinderella-run to the center of my bracket. It doesn’t have the revolutionary spirit of “Salome,” nor the orgiastic horns of “Der Rosenkavalier.” It’s weird, but not in the way that “Die Frau ohne Schatten” is weird, and in terms of Strauss’s affinity […]
Organized Systems
Among Leo Tolstoy’s many near-death experiences (he did, after all, serve in the army, receive multiple threats against his life, and lived in a time before antibiotics) was one that took place when he was 25. In January 1854, the young count was lost overnight in a snowstorm with his servant while traveling by troika […]
Minefields
“You can’t go out there right now,” says my interpreter. “Because of the landmines,” adds my driver. Earlier this month, we were driving through eastern Ukraine as part of a convoy for the NGO I work with (when I’m not writing about Tchaikovsky’s spit or monkey masturbation as it relates to the offstage life of […]
Historical Pauses
Early on in “The Factotum,” Will Liverman and K-Rico’s setting of “Il barbiere di Siviglia” in a Black barber shop, Liverman’s Figaro-ish character, Mike, sings about the legacy of carrying on the barber shop he inherited from his father. When Lyric Opera of Chicago shared a sneak peek of “The Factotum” in 2021, it included […]
Curious Relations
For all of the secrecy, holiness, and exquisite pain of the medieval troubadour songs, the stories they profess to tell are one-sided. Rarely are we offered the woman’s perspective, or even any supporting evidence for the emotional evisceration that’s often at the heart of these ballads of forbidden and unconsummated love. Not so for contemporary […]
Adjustment of Perspective
A line from Phoebe Stuckes that has (for lack of a better word) stuck with me in the turnover of a new year: “I want to be stinking drunk in a restaurant eating bread from a basket, thinking of vintage Prada and snow.” Wait… didn’t we do this already? What year is it? Where am […]
A Year in Listening
What does a year in listening really sound like? According to my Tidal 2022 Rewind, the albums I listened to the most this year tell a different story than this column: Bo Burnham’s “Inside” (because I have the triple-crown of anxiety, depression, and ADHD), the original concept recording of “Chess” (because it beats out the […]
Winter Journeys
In the third episode of “Dekalog,” Krzysztof Kieślowski’s ten-part series of interconnected short films (each based on one of the Ten Commandments), cab driver Janusz’s Christmas Eve is interrupted by Ewa, his former extramarital lover. Janusz abandons his family dinner to assist Ewa with what he believes is tracking down her missing husband. What Ewa […]