Posted inInterview

Occupy Handel

On May 12, 2016, the Brazilian Senate voted to suspend President Dilma Rousseff, of the left-of-center Partido dos Trabalhadores (PT), and begin an impeachment trial against her. Rousseff—who spent three years in prison in the 1970s during the dictatorship—is now suspended from her duties for 180 days; Michel Temer, a 75-year-old politician, will succeed her […]

Posted inInterview

Dresden Wall

The standard translation for the acronym of the anti-immigrant, Dresden-based protest group Pegida is Patriotic Europeans Against the Islamization of the West. But the movement’s German name uses the word Abendland—roughly, “Occident”—a term that comes closer to evoking its irrational, almost apocalyptic, clash-of-civilizations mentality. The cellist Jan Vogler grew up in East Berlin and lives […]

Posted inInterview

Upside Down

In a February 2016 Guardian article, the violinist Patricia Kopatchinskaja wrote of staid programming in classical music, “Wouldn’t some madness be preferable to this normality?” Her latest project, with the Mahler Chamber Orchestra, is called “Bye Bye Beethoven.” This is not a coincidence. VAN: If you could, would you take a year or two off […]

Posted inInterview

Changing The System

I met the composer Christian Wolff for this interview some time ago in Hamburg, Germany. There were a few other people in the room—from the festival klub katarakt, which had a commissioned a new work from him—and I asked Wolff if he felt like performing an impromptu version of his prose piece “Crazy Mad Love.” […]

Posted inInterview

Coordinates of Value

As part of our partnership with ricordilab, we spoke with the composer Liza Lim about her duties with this competition and the benefits and limitations of composition competitions in general. VAN: Composers often complain that hyper-complex-looking scores have an advantage in competitions. How much does the way the score looks impact your decisions? Liza Lim: […]

Posted inInterview

Unfinished Business

An Introduction to Eli Marshall For Intro, we speak with the musicians who don’t show up in press releases. We hope to portray a diversity of background and experience in classical music. This is the second interview in an ongoing series. Occasional contact keeps memories vivid. When I think of Eli Marshall, I remember a […]

Posted inInterview

Answers

Elīna Garanča stunned audiences when I saw her in the Metropolitan Opera’s “Roberto Devereux” in March, with a memorable performance even against Sondra Radvanovsky’s history-making role. She received an Opera News Award along with Waltraud Meier at the Plaza Hotel in New York on April 10, where we spoke to her about new versus old […]

Posted inInterview

Continental Shift

Ilan Volkov’s Tectonics Festival, in Reykjavik on April 14-15 and in Glasgow on May 7-8, conjures images of dramatic, continental upheaval. But plate motion is an incredibly slow process—land masses move at rates measured in millimeters per year. Listening to the names of the many avant-garde composers mentioned by the Israeli conductor in our Skype […]

Posted inInterview

Listening, Not Hearing

The American composer, performer, and humanitarian Pauline Oliveros performed a two-day Deep Listening Intensive and Sonic Meditation alongside her partner, author and dream specialist Ione, and jazz pianist and composer Jason Moran and his band, the Bandwagon, on April 1 and 2 as part of the 2016 Artists Studio at the Park Avenue Armory in […]

Posted inInterview

Depth Psychology

The German mezzo-soprano Waltraud Meier performed her last Kundry, a complex figure from Wagner’s “Parsifal,” on March 28 at the Staatsoper in Berlin. On April 10, she will receive one of five Opera News Awards at The Plaza in New York. We spoke with her, in the middle of her final preparations, about Wagner, “updated” […]