The American composer Ashley Fure writes music of a flickering and gorgeous intensity. Recently, she was in Marseille doing research for an upcoming work. We chatted via Skype about happy sonic accidents, alternative careers, and the state of diversity activism in new music. VAN: What are you up to in Marseille right now? Ashley Fure: […]
Category: Interview
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Moderate Anarchy
The Belgian baroque violinist, violoncello da spalla player, and conductor Sigiswald Kuijken was born in 1944 near Brussels. His way of playing early music makes the continuing modern-style performances of many works seem, at least to my ears, completely irrelevant.When I reached out to Kuijken to ask if he’d like to be interviewed, he wrote […]
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I’m Not Hiding Anything
Over the last four years, I’ve heard about half a dozen concerts of music by the composer Alvin Lucier in New York City. I have often begun listening to a piece with skepticism and left astonished. On March 25, Alvin Lucier will perform two of his works, “I Am Sitting in a Room” and “Vespers,” […]
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Liquid Modernity
In his first book, Music After the Fall: Modern Composition and Culture Since 1989 (University of California Press), Tim Rutherford-Johnson writes: “Searching for or describing unities in the present age, which is usually described as fragmentary, may be foolhardy. But as economic, political, and technological forces conspire to create a world that is more homogenous […]
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Other Languages
Sometime in the 1780s, a low-ranked soldier of the Portuguese crown in Brazil named Joaquim José da Silva Xavier began a gradual process of political awakening. Later known as Tiradentes (“tooth-puller”), a derogatory term that referred to his past as an amateur dentist, he organized a group of citizens in a rebellion called the Inconfidência […]
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The Abyss
With his beard and penetrating eyes, Georg Nigl looks a bit like Hugo Wolf. In rehearsal, he sings, whispers, growls—Hans Neuenfels, the 76-year-old director of Manfred Trojahn’s opera “Orest,” can barely tame the extreme moods of the baritone, and the rehearsal is viscerally exciting. At breaks, the two get together for a smoke. The premiere […]
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Make The Building Sing
On Tuesday, the French organist Olivier Latry played a program of organ music by Olivier Messiaen, Gerald Levinson, and Jean Louis Florentz at the Elbphilharmonie in Hamburg. In a sense, he was a guest of Iveta Apkalna—the hall’s main organist and “artistic adviser” in matters related to the king of instruments. Before the performance, I […]
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The Smallest Island of Strangeness
In the first week of February, I talked to composer Chaya Czernowin, my professor in composition at Harvard University, about her upcoming opera “Infinite Now,” which is due to be premiered in Ghent in April 2017, followed by performances in Antwerp, Mannheim, and Paris. Drawing texts from Can Xue’s story “Homecoming” and Luk Perceval’s play […]
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Emotional Weapon
Tonight, the Latvian soprano will debut in a Sofia Coppola production of “La Traviata” alongside Plácido Domingo and Arturo Chacón Cruz at the Palau de les Arts Reina Sofia in Valencia, Spain. When I reached her last week via Skype for this interview, she was already there for rehearsals, and seemed lively and engaged. Would […]