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Ostrava Days, Brooklyn Nights

The Ostrava Days 2017 festival was pervaded by an atmosphere of such overbearing toxic masculinity that I could barely hear the music. The festival lasted 10 days and served as a gathering place for avant-gardists and “risk-takers.” Of the 33 composition residents, 27 were men, and 23 were white cis men; despite the festival’s international […]

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Adding To The Pantheon

I met the keyboard player and early music savant Ton Koopman one wan, gray morning in the northern German city of Lübeck, where he was performing in a festival dedicated to the baroque organist and composer Dietrich Buxtehude. He wore a dark blue blazer, a light blue shirt, round glasses, and pants the color of […]

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Silent Valley

Last month, the librettist and Anglican priest Alice Goodman told the New York Times of her text to the opera “The Death of Klinghoffer,” “Anything I might say about the controversy”—she was accused of anti-Semitism in her depictions of Jewish characters—“would pour gasoline on the embers.” She went on, “I doubt I’ll ever write anything […]

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Luminescence

To say about an artist that you “either love them or hate them” is a cliché. Talking about Brian Ferneyhough requires more precision. The absolute mastery of his work is unquestionable. So rather than loving or hating the music, you either worship it or reject its premise absolutely. It’s difficult to talk to a composer […]

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Shape and Silence

Recently, the JACK Quartet played a series of concerts at the Whitney Museum, sounding the sparse celestial beauty of John Cage’s “Thirty Pieces for String Quartet” among the floating colors and shapes of Alexander Calder’s mobiles. Listeners wandered through the gallery featuring an exhibition of Calder’s works, aptly titled “Hypermobility,” focusing on the sound and […]

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Fissures

By · Title Image © Harald Hoffmann · Date 08/24/2017 I met up with the English composer Philip Venables one recent evening at an outdoor bar in Berlin, where he’s been living for the last eight years. He wore a dark cap, glasses, overalls, and a rainbow-striped t-shirt. Over beer and cigarettes, and while two […]

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Cross Pollination

Recently, I spoke with the keyboardist Kristian Bezuidenhout by phone. His demeanor was gentle without being apologetic: while ironing his shirts, he talked about the music of Bach with immense sincerity. But his programming often includes music by other composers, particularly Bach’s contemporaries. I was interested to find out why. VAN: In an upcoming concert, […]

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Walking on Wire

Skyping me from his house in Amsterdam, keyboardist and conductor Richard Egarr took time out of his vacation to answer some questions for VAN. Richard’s characteristic honesty and sense of humor really came out in the interview, as well as his enthusiasm and passion about the different mediums in which he performs and conducts. I […]

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A Continuum

When I first emailed Uri Caine to set up this interview, he was headed to Barcelona for a concert. When we finally spoke over the phone a week or so later, he’d just driven back to New York from the Newport Jazz festival. He’s a busy musician, performing across the world (before Newport he was […]