Posted inInterview

Detail and Plasticity

Piyawat Louillarpprasert’s composition “Tremble” unfolded as an almost literal translation of its title. The strings tapped col legno battuto, the woodwinds played rapid hairpin swells, single notes were articulated repeatedly and passed throughout the ensemble. At one point, the conductor compared a section to a “rainforest in Thailand.” It was August 25, a sunny morning. […]

Posted inInterview

Awareness of the Present

Unseen Worlds, the label behind the new compilation of Carl Stone’s work, has a history of working with unusual composers and performers such as Laurie Spiegel, Philip Corner, Elodie Lauten, Girma Yifrashewa, and Lubomyr Melnyk, to name a few. I asked Tommy McCutchon a few questions about the label and working with Stone. VAN: Why […]

Posted inInterview

Synthesis

You are as likely to hear electroacoustic composer Carl Stone’s works performed through an octophonic diffusion system in a fancy academic hall as you are to find him performing in a small club, set up on the requisite rickety noise table. A new three-LP set on the Unseen Worlds label, “Electronic Music of the Seventies […]

Posted inInterview

Beauty is a Process

Miami-based composer and saxophonist Matthew Evan Taylor’s career has formed an impressive arc—from playing jazz and blues in Mississippi, to being signed with rock band Moses Mayfield to major label Epic Records, to receiving his doctorate in composition. These days he is engaged in composing and performing new music and opera, and is an active […]

Posted inInterview

Head On

Composer, percussionist, improviser, and UC Irvine professor Lukas Ligeti spoke with me from his home in Bushwick, New York, for nearly two hours coming off the heels of an evening showcasing his works at National Sawdust in Brooklyn. As the only son of György Ligeti, one of the most innovative and influential composers in the […]

Posted inInterview

Timelapse

For Intro, we speak with the musicians who don’t show up in press releases. We hope to portray a diversity of background and experience in classical music. This is the third interview in an ongoing series.When I thought of who I would Intro, Natalie Draper immediately came to mind. I spent the summer of 2015 […]

Posted inInterview

Established Meaning

For some interviews, you exchange what feels like dozens of emails with publicists. You’re asked what you want to ask. When I wrote to Reinhard Goebel to see if he wanted to speak to me, he wrote, “You won’t be needing to suggest topics for us to discuss. I can talk about a lot of […]

Posted inInterview

The Elusive Middle

Nothing heightens feelings of powerlessness more than a political season. Over the past few months, we’ve seen parties fractured, pundits paralyzed, analytics rendered ineffectual. Fault lines shatter old allegiances, and formerly stable demographics appear to no longer apply. The democratic tradition itself feels newly imperiled; as the middle class dissolves, the world’s ultra-rich consolidate their […]

Posted inInterview

Thousands of Changes

In February, Andris Nelsons told VAN about conducting Wagner in Bayreuth: “You enjoy it masochistically.” On June 30, he asked to be released from his contract, with the festival citing “a differing approach in various matters.” The performance artist and provocateur Jonathan Meese, the director for this year’s production of “Parsifal,” was let go. It’s […]

Posted inInterview

Some Rawness

Lisa Renèe Coons is a composer, sound artist, and professor at Western Michigan University. Through the course of several emails exchanged in the last few weeks, just after her return from a residency at the MacDowell Colony, we discussed the difficulty of honoring one’s origins, music as a vehicle for dealing with the unspeakable, welding, […]