Posted inHistory

The Smoldering Progressive

Pity Paul Dukas. For most listeners—even serious music lovers—his work is the mere soundtrack to the anthropomorphic avatars of the Disney corporation. Despite floating in the same fragrant creative broth of early 20th-century Paris as Igor Stravinsky and Claude Debussy he has been rather overshadowed by both, to say nothing of his twelve-tone contemporaries in […]

Posted inInterview

Space for the Wrong

On a recent evening in Berlin, the pianist and composer Frederic Rzewski performed his virtuosic variations on a Chilean protest song, “The People United Will Never Be Defeated!” Physical and mental exhaustion are composed into the piece, and watching Rzewski play, I was struck by the similarities between the musical obstacles in his work and […]

Posted inInterview

The Nature of the Mind

Laurie Anderson, the 71-year-old performance artist, storyteller, musician and wife of Lou Reed, was looking out at the fog. She seemed exhausted, but her green eyes were alert. I met her in her green room in the middle of a packed four-day festival at the Elbphilharmonie in Hamburg, where she was joined by her colleagues, […]

Posted inProfile

The Inner Mountain

I worked in a music library for some years. One of our regular visitors was an elderly Irish nun whose eyes twinkled with purpose. She was working on her book, she told me, about the Russian composer Galina Ustvolskaya. Ustvolskaya’s music was little known in the West when Sister Andre Dullaghan had first heard it, […]

Posted inOpinion

Adams 2.0

Thanks to John Adams, I am no longer a snob. When I was studying composition in graduate school, I was possessed by a young man’s certainty about his own knowledge and taste. Still, I was exposed to enough contradictory opinions and ideas that I began to— fortunately—entertain doubts. What if I didn’t know everything? One […]

Posted inInterview

The Riddle of Silence

Michael Pisaro is an American composer, guitarist, and early member of the Wandelweiser Group. He teaches music composition at CalArts, where he is the founder and director of the Experimental Music Workshop. His 75-minute immersive work “A wave and waves” (2007)  for 100 performers will be featured at the Lincoln Center Mostly Mozart Festival on […]

Posted inInterview

A Conception of Time

Frank Denyer’s works draw from many sources. In the 1970s, he did ethnomusicological fieldwork with the Pokot tribe in Kenya. Studying at Wesleyan, he encountered musical giants Morton Feldman and John Cage, with Harry Partch providing undoubted additional influence. Hand-made instruments are a standard feature in his compositions. Combined with a Feldman-like approach to time, […]

Posted inInterview

Faked Silence

Listening to Salvatore Sciarrino’s “Sei Capricci” for solo violin might best be compared to spending 20 minutes in a butterfly garden. The music rustles, flickers, alights for the briefest moment somewhere, and then flies on. A similar texture lends his classic opera “Luci mie traditrici” (1998) a dreamlike quality. When, in one brief intermezzo of […]

Posted inProfile

Challenging Dispositions

Almost directly beneath the composer Patricia Alessandrini’s feet, in a basement performance space, lurks a sheet of steel. We are sitting in the garden of a café next to Goldsmiths College, London, where she lectures in sonic arts, and after our conversation she invites me to have a look. Large enough to bend slightly under […]