Posted inInterview

Pact with the Dictator

In the summer of 2009, Valery Gergiev organized an exhibition in St. Petersburg called “Wilhelm Furtwängler: Maestro, Man, and Myth” as part of the White Nights Festival. At the opening, Gergiev gave a speech noting that Furtwängler had been attacked all his life because of his biography, yet “he served a great cause with all […]

Posted inPlaylist

A May Day Playlist

Whether your Labor Day falls on May 1 or the first Monday in September, the core concept remains the same: honoring the workers who keep countries running. In this decade, we’re facing another cultural reexamination of work—one perhaps best summarized by a TikTok sound that has somehow been attributed to both “RuPaul’s Drag Race” and […]

Posted inInterview

“We Cannot Just Sit and Be Terrified”

In conversation, Ukrainian concert pianist Anna Fedorova is controlled, which belies the expressive style with which she usually plays. Her disposition is unfailingly sweet, and the hint of a kind smile is ever-present—but her face is also understandably lined with stress and sadness, in the wake of Russia’s invasion of Ukraine. As a follow-up to […]

Posted inStuff I’ve Been Hearing

Imitations and Intimations

Alexei Lubimov: “The Seven Last Words of Christ on the Cross” (ECM) Alexei Lubimov, Ivan Monighetti: “Silvestrov: Piano Sonatas, Cello Sonata” (Erato) Radu Lupu, Zubin Mehta, Israel Philharmonic Orchestra: “Beethoven: Piano Concerto Nos. 3 & 5” (Decca) Nicholas Angelich: “Prokofiev: Visions Fugitives, Piano Sonata No. 8 and Romeo & Juliet” (Erato) “I play Haydn after […]

Posted inInterview

Dangerous Symbols

On April 14, the Russian keyboard player Alexei Lubimov and the singer Yana Ivanilova performed a concert at DK Rassvet, a venue in central Moscow which, similar to New York’s (Le) Poisson Rouge, hosts concerts and cultural events and doubles as a club. As Lubimov was performing playing a solo portion of the concert, with […]

Posted inReport

The Maestro’s ATM

On April 12, the website of imprisoned Russian opposition leader Alexei Navalny released an investigation into the hidden international wealth of conductor and Putin confidant Valery Gergiev. The report is the latest in a series authored by Navalny’s team which, as the Organized Crime and Corruption Reporting Project notes, do not constitute neutral journalism—a video […]

Posted inInterview

Truth Over Hope

On February 23, one day before Russia invaded Ukraine, Anna Stavychenko, the artistic director of the Kyiv Symphony Orchestra, spoke with VAN about life in “a constant state of stress” and the importance of music for the Ukrainian identity. Since then, Stavychenko and her family have left their home. She is now commuting between Warsaw […]

Posted inEssay

A Vigil to a Life

When the world falls to pieces, it’s hard to stick to a single story. The best I could do in these three weeks was to put up signposts. It’s my way of trying to remember some important things. The first day of the war, I woke up and read the news. The world had crumbled […]

Posted inInterview

The Danger of Silence

This month, conductor Vitali Alekseenok was slated to conduct concerts in Lviv, Dnipro, and Kyiv, as well as open the Kharkiv Music Festival as its new artistic director. Instead, four days after the beginning of Russia’s attack on Ukraine, he and his girlfriend drove two trucks full of aid supplies eight and a half hours […]

Posted inReview

Infiltrating Justice

Heartbeat Opera’s adaptation of Beethoven’s “Fidelio” achieves what many well-meaning, ostensibly “woke” contemporary music ensemble efforts fail to accomplish. Artistic Director Ethan Heard’s retelling engages directly with the marginalized population it seeks to draw attention to: The “Prisoners’ Chorus” is sung by incarcerated individuals from prison choirs across the United States. Although the opera was […]

Exit mobile version