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Into The Sky

Dylan Mattingly co-artistically directs and plays cello in the New York-based ensemble Contemporaneous, and he has played a considerable number of instruments in countless other groups specializing in everything from folk to funk. Last year I attended the premiere of his “Seasickness and Being (in love)” at the LA Philharmonic, a work that poignantly captures […]

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Artifacts

An Interview with Jakob Ullmann By · Photography · Date 06/23/2016 I studied music theory with the composer and writer Jakob Ullmann in Basel, from 2011–2013. For this interview, we met him at his home in Naumburg, Germany, on a rainy Sunday. Books on new music lined the corridor; books on religion lined his study. […]

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Upside Down

In a February 2016 Guardian article, the violinist Patricia Kopatchinskaja wrote of staid programming in classical music, “Wouldn’t some madness be preferable to this normality?” Her latest project, with the Mahler Chamber Orchestra, is called “Bye Bye Beethoven.” This is not a coincidence. VAN: If you could, would you take a year or two off […]

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Unfinished Business

For Intro, we speak with the musicians who don’t show up in press releases. We hope to portray a diversity of background and experience in classical music. This is the second interview in an ongoing series. Occasional contact keeps memories vivid. When I think of Eli Marshall, I remember a crisp, sunny autumn morning and […]

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Broken Heartbeat

George Benjamin’s opera “Written On Skin” telescopes back and forth through past and present. Based on a vida of the 12th century Catalan troubadour Guillaume de Cabestanh, it takes place in a medieval world where books are precious objects, but references air travel, pornography, and modern feminism. The work, which premiered three years ago, makes […]

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Patriarchal Structures

This interview took place in November 2015, and is reproduced here in an abridged version. We spoke with Neuwirth about the persistence of the patriarchy in classical music, the new generation of women composers, and her recent and older works. VAN: I feel there’s an imbalance between the genders in our musical society. Are quotas […]

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Homecomings

For Intro, we speak with the musicians who don’t show up in press releases. We hope to portray a diversity of background and experience in classical music. This is the first interview in an ongoing series. Andrew Trovato is a pianist, composer, and childhood friend. In the course of two long Skype sessions—he was lying […]

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Decades

I studied composition with Georg Friedrich Haas in Basel from 2011-2013, his last years there before his move to New York City, where he teaches at Columbia University. In my Master’s recital, a musician showed late and an instrument I built broke, and I had trouble facing the—very supportive—audience. He managed to make me do […]

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