Posted inInterview

A Delicate Balance

Few singers move through musical genres and eras with as much confidence as Anna Prohaska. Programs like “Maria Mater Meretrix” (designed with Patricia Kopatchinskaja) and her latest album, “Celebration of Life in Death” (recorded with baroque orchestra La Folia and Robin Peter Müller), combine everything from Hildegard von Bingen to George Crumb to Leonard Cohen […]

Posted inInterview

The Light at the End

On February 13, English mezzo-soprano Alice Coote will perform the role of Mère Marie de l’Incarnation in Francis Poulenc’s opera “Dialogue des Carmélites” at the Zurich Opera. It’s her second production—and first set of full rehearsals—since the start of the pandemic, and there are still worries about COVID-19: The cast has made an agreement that […]

Posted inRankings & Roundups

Domestic Primadonna Assoluta

In the autumn of 2021, neatly coinciding with the release of her latest album “Amata dalle Tenebre,” Russian soprano Anna Netrebko published her first (cook)book, the German-language Der Geschmack meines Lebens (“The Taste of My Life”). Upon discovering this a few weeks ago, our only course of action was to throw multiple-course Anna Netrebko-themed dinner […]

Posted inInterview

Luxurious Boredom

When countertenor Anthony Roth Costanzo was 11 years old, he performed in a Broadway production of “The Sound of Music” alongside capital-P Personality Marie Osmond. Out of the goodness of her heart, Osmond offered the boy a deep discount on her range of dolls, a line she developed with the television shopping channel QVC. Costanzo […]

Posted inPlaylist

A Maria Ewing Playlist

Two months ago, almost to the day, actress Rebecca Hall saw her directorial debut, “Passing,” premiere on Netflix. It was a personal project for Hall, whose mother—the soprano Maria Ewing—had a family history that mirrored the plot of the 1929 novel on which Hall based her film. In fact, Hall learned more about that family […]

Posted inEssay

Emotional Anatomies

In his forthcoming book, The Impossible Art, composer Matthew Aucoin likens his early immersion in opera not to the pageantry of going to a live performance, but rather to the solitude of reading a book. “Operas, like the young-adult fiction I was reading at the time, felt to me like interior adventures rather than extravagant […]

Posted inEssay

Adaptation in America

Becoming an opera librettist was, for me, a natural extension of years spent working as a playwright in downtown New York theater and experimental music-theater. That fertile stomping ground provided an immersion into the dramaturgy of space and sound, the architectonics of tension, duration, and alternate modes of language and narrative. Writing for theater, I […]

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