Posted inBreaking

Unveiling

On September 13, a 22-year-old Iranian-Kurdish woman named Mahsa Amini was detained by the Islamic Republic of Iran’s “morality police” in Tehran. Three days later, she died in police custody. Protests erupted around the country, and while their causes are manifold, they have been led by women and take as their primary target what Iranian […]

Posted inInterview

Anti-Angelic Aesthetics

The harp world is small and isolated, often ignored by media outlets. But changes are afoot among those who play the instrument at the highest level. New repertoire and collaborations are on the rise, as are different ways of thinking about the harp’s past and why it’s an instrument overwhelmingly played by cisgendered women. (An […]

Posted inInterview

Together on the Way

Born in 1955 in Rheinberg, Germany, and raised in Westphalia, Eva-Maria Houben’s musical career commenced at the age of 12 when she began playing organ in Sunday services at the church where her father worked as a presbyter. Subsequently working as a teacher at both school and university level, she has written numerous books of […]

Posted inInterview

Becoming Sound

On stage, there is something of a Monsieur Hulot-esque quality to Joëlle Léandre. She hunches over her big double bass, leaning forward with furrowed brow, huffing and puffing as she plays, sometimes letting those huffs and puffs emerge as full-throated vocalizations, each one a triumphant bof! of simultaneous exultation and exasperation. Watching her solo set […]

Posted inStuff I’ve Been Hearing

For Your (Re)consideration

Patricia Petibon, La Cetra, Andrea Marcon: “La Traversée” (Sony) BBC Symphony Orchestra, Sakari Oramo, Peter Donohoe: “Dora Pejačević: Piano Concerto & Symphony” (Chandos) Giulia Semenzato, Kammerorchester Basel: “Angelica Diabolica” (Alpha) We’re in the middle of a renaissance for historically-maligned women: Tonya Harding, Monica Lewinsky, Britney Spears, Lorena Bobbitt, and Pamela Anderson are among those whose […]

Posted inInterview

“We Cannot Just Sit and Be Terrified”

In conversation, Ukrainian concert pianist Anna Fedorova is controlled, which belies the expressive style with which she usually plays. Her disposition is unfailingly sweet, and the hint of a kind smile is ever-present—but her face is also understandably lined with stress and sadness, in the wake of Russia’s invasion of Ukraine. As a follow-up to […]

Posted inInterview

Love Seeps Through

South-African soprano Golda Schultz is a regular at the Met and at Bayerische Staatsoper. In 2020, she sang at the Last Night of the Proms; this season she made her debut with the New York Philharmonic.  With this career stability, she’s confronting the luxurious challenge of “moving the needle” for women composers and women’s stories. […]

Posted inInterview

The Light at the End

On February 13, English mezzo-soprano Alice Coote will perform the role of Mère Marie de l’Incarnation in Francis Poulenc’s opera “Dialogue des Carmélites” at the Zurich Opera. It’s her second production—and first set of full rehearsals—since the start of the pandemic, and there are still worries about COVID-19: The cast has made an agreement that […]

Posted inPlaylist

A Maria Ewing Playlist

Two months ago, almost to the day, actress Rebecca Hall saw her directorial debut, “Passing,” premiere on Netflix. It was a personal project for Hall, whose mother—the soprano Maria Ewing—had a family history that mirrored the plot of the 1929 novel on which Hall based her film. In fact, Hall learned more about that family […]

Posted inInterview

The Fault in our Chords

Born in 1985, the Swedish composer Lisa Streich writes music of engrossing timbral and dramaturgical subtlety, often using traditional instruments prepared or modified by small, homemade, motorized devices. Listening to her pieces, I sometimes feel like I’ve been shrunk down to molecular size and placed inside a music box where noisy mechanics blend with pitched […]

Exit mobile version