Opera owes its heritage to the Middle East. Why do we silence this legacy?
What would singers do without them?
Do we still need Bayreuth?
The Black tenors who’ve taken on the role of Otello.
Transcendence and frustration, at the Aix-en-Provence Festival.
Allan Clayton focuses on interaction.
Matthias Goerne looks for symbiosis.
George Benjamin on his third opera, “Lessons in Love and Violence.”