Allan Clayton focuses on interaction.
Matthias Goerne looks for symbiosis.
George Benjamin on his third opera, “Lessons in Love and Violence.”
Stephen Wadsworth on writing words for Leonard Bernstein.
“Die Gezeichneten” at the Komische Oper in Berlin.
Is “Peter Grimes” a better play than opera?
The up-and-coming alto Wiebke Lehmkuhl.
On the impact of Dmitri Hvorostovsky