• 15. February 2018 •

“Die Gezeichneten” at the Komische Oper in Berlin.

 • 15. February 2018 •

Is “Peter Grimes” a better play than opera?

 • 11. January 2018 •

The up-and-coming alto Wiebke Lehmkuhl.

 • 30. November 2017 •

On the impact of Dmitri Hvorostovsky

 • 9. November 2017 •

“The Mother of Us All” at Hudson Hall.

 • 5. October 2017 •

Berlin’s Staatsoper returns to its renovated home.

 • 21. September 2017 •

Alice Goodman defends her libretto to “The Death of Klinghoffer.”

 • 14. September 2017 •

Addressing the political with the classical at the Lucerne Festival.