“Die Gezeichneten” at the Komische Oper in Berlin.
Is “Peter Grimes” a better play than opera?
The up-and-coming alto Wiebke Lehmkuhl.
On the impact of Dmitri Hvorostovsky
“The Mother of Us All” at Hudson Hall.
Berlin’s Staatsoper returns to its renovated home.
Alice Goodman defends her libretto to “The Death of Klinghoffer.”
Addressing the political with the classical at the Lucerne Festival.