How did the repertoire become so narrow?
There is no absolution in art or life. A dispatch from Bayreuth.
The provocations of Frederic Rzewski.
The radical commitment of Pablo Casals.
Is Donaueschingen censoring work that criticizes Israel?
The Black tenors who’ve taken on the role of Otello.
On the sexual politics of musical metaphors.
Analyzing an aural document of terror.