The provocations of Frederic Rzewski.
The radical commitment of Pablo Casals.
On Tippet Rise, a classical music festival on Native American land.
Is Donaueschingen censoring work that criticizes Israel?
The Black tenors who’ve taken on the role of Otello.
On the sexual politics of musical metaphors.
Analyzing an aural document of terror.
Censorship, political correctness, and the legacy of “America’s Troubadour.”