Christian Gerhaher doesn’t want to entertain.
Censorship, political correctness, and the legacy of “America’s Troubadour.”
The formative sounds and experiences of composer Pauline Oliveros.
Saul Williams’s words to music.
Mark Padmore wants attention and intention.
An interview with an opera casting director.
The sounds of the composer and artist’s “obsessive aesthetic fence-straddling.”
On politics and solace in Schubert’s “Winterreise.”