The formative sounds and experiences of composer Pauline Oliveros.
Mark Padmore wants attention and intention.
Christian Gerhaher doesn’t want to entertain.
Censorship, political correctness, and the legacy of “America’s Troubadour.”
On politics and solace in Schubert’s “Winterreise.”
Saul Williams’s words to music.
An interview with an opera casting director.
The sounds of the composer and artist’s “obsessive aesthetic fence-straddling.”