Patricia Alessandrini finds identity in sound.
Women and non-binary composers
Meredith Monk translates biological process into a new language.
On Borealis, an experimental festival for music.
A corrective to the 2018 Oscars Original Score shortlist.
Terre Thaemlitz doesn’t succumb to any scene.
Does classical music need a Rooney Rule?
On Making the Third Ear.
Jessica Ekomane believes in mistakes.