“Igor Levit’s career is a stark demonstration of the dissolving of boundaries between art and commerce, journalism and public relations,” wrote Hartmut Welscher in an article for VAN in 2020. One can add publishing to the ever-growing list of formats whose traditional ethical boundaries Levit has blurred, as House Concert, written by Florian Zinnecker under the watchful eye of Levit’s team, confirms.
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