Simon Zaoui, Pierre Fouchenneret, Raphaël Merlin, Marie Chilemme, and Quatuor Strada: “Gabriel Fauré: Horizons II” (Aparté) Marie-Eve Munger, Les Boréades de Montréal, Philippe Bourque: “Maestrino Mozart” (ATMA Classique) Mirga Gražinytė-Tyla, City of Birmingham Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, Kirill Gerstein, Marie-Christine Zupancic: “Mieczysław Weinberg: Symphonies Nos. 3 & 7, Flute Concerto No. 1” (Deutsche Grammophon) […]
Tag: 18th Century
Posted inStuff I’ve Been Hearing
The Textural and the Tactile
Robert Levin: “Mozart: The Piano Sonatas on Mozart’s Fortepiano” (ECM) Diyang Mei, Oliver Triendl: “Viola à l’école de Paris” (Avi Music) Claire Bryant: “Whole Heart” (Bright Shiny Things) In Richard Eyre’s 2004 film “Stage Beauty,” the London theater scene is at a crossroads when King Charles II allows women to legally perform onstage for the […]
Posted inInterview
“I’m Just Not a Star”
For over 30 years, Frank Peter Zimmermann has been one of the best and most successful German violinists on the international concert circus. Now seemed like a good time to take stock and look both backward and forward. I reached the 57-year-old on FaceTime from his house in Cologne. He apologized for canceling an interview […]
Posted inStuff I’ve Been Hearing
Wild Locusts and Honey
Raphaël Pichon, Pygmalion, et. al.: “Bach: ‘Saint Matthew Passion’” (Harmonia Mundi) John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, et. al.: “Bach: ‘Saint John Passion’” (Deutsche Grammophon) Harry Bickett, The English Concert, et. al: “Handel: ‘La Resurrezione’” (Outhere Music) In the Gospel of Mary of Magdala, a post-crucifixion Jesus returns to earth. He tells his […]
Posted inI Know, But
I Know, But: Handel’s “Messiah”
“The effect is horrible: And everybody declares it sublime,” said George Bernard Shaw of the massed “Messiah” performances of the Victorian age. “Handel is not a mere composer in England: he is an institution…the audience stands up, as if in church, while the ‘Hallelujah’ chorus is being sung. It is the nearest sensation to the […]
Posted inInterview
Keep Them Up at Night
In June, I met pianist and musicologist Robert Levin at his home in Cambridge, Massachusetts. Complete editions of works by Mozart, Schubert, Beethoven, and many other composers filled his living room. As a musician, Levin has an almost uncanny ability to assimilate an oeuvre into the component elements of its style. It’s a remarkable process […]
Posted inI Know, But
I Know, But: “The Four Seasons”
Here’s a reason to hate “The Four Seasons”: I last heard “Spring”—unbidden—as I passed through east London’s Walthamstow Bus Station during a routine commute home. Realizing that piping classical music into its stations was a cost-effective means to deter young people from hanging around, Transport for London started playing Vivaldi, Mozart, and Beethoven in 2006. Since […]