“A chubby bundle of puppy fat.” “Unsightly and unattractive.” “Repulsive figure.” These comments count as professional feedback in the world of opera. At first glance, they may appear to be isolated cases; only seldom does body shaming make headlines in the opera industry. The most prominent exception was the “little black dress” which did not […]
Tag: Opera
Posted inInterview
Good Old-Fashioned Lover Boy
For female opera singers, singing a male role is nothing out of the ordinary. Stephanie Blythe, however, thrives in the out-of-the-ordinary. That’s not to discount the majority of her career: Blythe has sung the coloratura lines of Handel and Rossini with whip-smart technique and brought a rioja-hued boldness to more orotund roles like Fricka in […]
Posted inInterview
Death as a Metaphor
Missy Mazzoli is sitting in one of Ingmar Bergman’s bedrooms when she joins our Zoom meeting earlier this summer. At the time, the 40-year-old composer was finishing a monthlong artist’s residency at the Bergman Estate at Fårö—an island in the Baltic Sea off the coast of Sweden where the director lived and filmed parts of […]
Posted inEssay
Like the Volga Singing
Psychoanalysis and opera both have an uneven relationship to feminism, to put it mildly. The former, even when challenging the disorienting, traumatic quality of patriarchy, is a product of that same power. The practice’s roots lie in Jean-Martin Charcot’s Salpêtrière hospital in Paris, which turned the confinement of so-called “hysterical” women into a public spectacle. […]
Posted inPlaylist
A Father Complex Playlist
Our collective obsession with fathers and father figures is nothing new. (See: Christianity, the Ancient Greeks, the American Revolution, Freud, Harry Chapin.) However, we may be reaching an era of peak Dad Obsession. According to Google Trends, searches for “daddy issues” reached an all-time high in December 2020 after a gradual incline since 2004. On […]
Posted inOpinion
The Offensively Inoffensive
At a tandoori restaurant in Tel Aviv, an Israeli politician chastises a quixotic Norwegian diplomat: “When people talk to you, Terje, you should pay attention to what they actually say, and not just listen for what you want to hear.” The scene is from “Oslo,” which began as a 2016 play and last weekend resurfaced […]
Posted inEssay
Randomness with Direction
“Somehow, after all, as the universe ebbs towards its final equilibrium in the featureless heat bath of maximum entropy, it manages to create interesting structures,” wrote James Gleick in his popular exploration of chaos theory. Nature’s natural tendency is to form patterns. Conversely, the universe teems with randomness and dissipation. “But randomness with direction can […]
Posted inInterview
Building That Foundation
There’s an inescapable delight that comes with listening to the Notorious B.I.G.’s posthumous 1997 single “Mo’ Money, Mo’ Problems,” wrapped up as the song is in Diana Ross samples, the Clinton-fueled optimism of ’90s America, and Biggie’s unapologetic lyrical grandstanding (“Jig on the cover of Fortune, 5-double-O. Here’s my phone number, your man ain’t got […]
Posted inOpinion
Disregard All Information
Singer-songwriter Tom Lehrer introduces his 1965 song “So Long, Mom (A Song for World War III)” in a style familiar to classical music fans. “This year we’ve been celebrating the hundredth anniversary of the Civil War, and the fiftieth anniversary of the beginning of World War I, and the twentieth anniversary of the end of […]
Posted inInterview
Natural Consequences
English countertenor Tim Mead’s voice is clean, serene, and direct, with a chameleon-like ability to remain subtly expressive in music from Handel to George Benjamin’s opera “Written on Skin,” in which Mead sings a queasily erotic and effective Boy. When I talked to Mead this month, he had just finished singing a project in Malta, […]