When countertenor Anthony Roth Costanzo was 11 years old, he performed in a Broadway production of “The Sound of Music” alongside capital-P Personality Marie Osmond. Out of the goodness of her heart, Osmond offered the boy a deep discount on her range of dolls, a line she developed with the television shopping channel QVC. Costanzo […]
Tag: Opera
Posted inPlaylist
A Maria Ewing Playlist
Two months ago, almost to the day, actress Rebecca Hall saw her directorial debut, “Passing,” premiere on Netflix. It was a personal project for Hall, whose mother—the soprano Maria Ewing—had a family history that mirrored the plot of the 1929 novel on which Hall based her film. In fact, Hall learned more about that family […]
Posted inRankings & Roundups
Every Classical Singer’s Christmas Album, Ranked
I love Christmas: to begin with. There is no doubt whatever, about that. The register of my joy at this time of the year is secured by the glühwein, the television specials, the tree markets, and the carols. I love Christmas like Kanye loves Kanye. Mind! I don’t mean to say that I know, of […]
Posted inEssay
Emotional Anatomies
In his forthcoming book, The Impossible Art, composer Matthew Aucoin likens his early immersion in opera not to the pageantry of going to a live performance, but rather to the solitude of reading a book. “Operas, like the young-adult fiction I was reading at the time, felt to me like interior adventures rather than extravagant […]
Posted inEssay
Adaptation in America
Becoming an opera librettist was, for me, a natural extension of years spent working as a playwright in downtown New York theater and experimental music-theater. That fertile stomping ground provided an immersion into the dramaturgy of space and sound, the architectonics of tension, duration, and alternate modes of language and narrative. Writing for theater, I […]
Posted inI Know But
I Know, But: Bruckner’s Symphony No. 9
When I was in graduate school, I took an advanced musicianship class, which mainly demonstrated that I was not an advanced musician. One of the components was ear training and dictation. Our task was usually to notate a series of dense chords and tricky modulations the teacher played from the piano. One class, she played […]
Posted inEssay
Necessary Shadows
Who invented black metal, that hateful, unholy, visionary genre? Potential candidates include bands Venom, Celtic Frost, Mercyful Fate, or, most likely, the revolutionary Bathory. But exactly 100 years before Venom’s 1982 album “Black Metal” codified the term, the world saw a work similarly infused with perverted religiosity, hatred, mutilation, darkness, extreme ideological stances, blood, racist […]
Posted inEssay
Mad Scene
Sylvia Korman is a graduate student in English at CUNY in Manhattan. They curate one of the most striking corners of opera Twitter, the account People Mad at Opera (@operacomments). “I’m not actually a music person at all,” Korman tells me. “I have no non-dilettantish background in opera.” But their knowledge of opera is keen. […]
Posted inInterview
Sacred Time
If you’re going to the Metropolitan Opera, Wayne Koestenbaum, author of the iconic exploration of opera queendom, The Queen’s Throat, is the best guide one could hope for. After dinner at Rosa Mexicano across from Lincoln Center, we sauntered across Columbus Avenue to a performance of Mussorgsky’s “Boris Godunov.” For both of us, it was […]
Posted inPlaylist
An Edita Gruberová Playlist
The death of a classical musician is a moment of loss, but it’s also a moment of rediscovery. Especially when the musician in question is someone like Slovak soprano Edita Gruberová, whose death in Zürich this past Monday, October 18, was an opportunity for fans and houses alike to pay tribute to some of her […]