Posted inInterview

Death as a Metaphor

Missy Mazzoli is sitting in one of Ingmar Bergman’s bedrooms when she joins our Zoom meeting earlier this summer. At the time, the 40-year-old composer was finishing a monthlong artist’s residency at the Bergman Estate at Fårö—an island in the Baltic Sea off the coast of Sweden where the director lived and filmed parts of […]

Posted inPlaylist

An Industry Playlist

When the composers Michael Gordon, David Lang, and Julia Wolfe put on an eclectic marathon concert of contemporary music in downtown Manhattan in May 1987—and decided to call it the Bang on a Can Festival—they might not have known it would become the powerhouse organization it is today. But they were young, scrappy, and hungry […]

Posted inInterview

Struggling with Time

In September, conductor and Alarm Will Sound artistic director Alan Pierson managed a bureaucratic feat of Olympian proportions: traveling, with COVID-19 restrictions in effect, from the United States to Germany. His essential business: conducting the rehearsals, premiere, and later performances of Hans Thomalla’s new opera “Dark Spring” at the Nationaltheater Mannheim. In early October, Pierson […]

Posted inInterview

Uncanny Songs

Before she moved to London as a third-year undergraduate student less than a decade ago, Na’ama Zisser had never even been to the opera. This week sees the production of her very own, “Mamzer Bastard,” by London’s Royal Opera House at the Hackney Empire. Taking place within an orthodox Hasidic community and featuring Jewish cantorial […]

Posted inInterview

Degrees of Density

“99 percent of the day, we are in the thinking mode,” Peter Ablinger tells me across a table in the lobby of our hotel in Bergen. “And in opposition to that, if we decide now to be silent for a few seconds. Just…” His voice drifts off and he raises his eyebrows in anticipation. For […]

Posted inInterview

Climbing Mountains

Unsuk Chin’s new work “Chorós Chordón” will be premiered by the Berlin Philharmonic under Simon Rattle tomorrow, November 3. In advance of the concert, we spoke with her about Ligeti’s tough side, the Korean new music scene, and glamor in classical music. VAN: How do you deal with loneliness, self-doubt, and frustration in your work? […]

Posted inInterview

A Catalyst

On October 7, National Sawdust celebrated the CD release of Du Yun’s Pulitzer-prize-winning opera “Angel’s Bone” with a performance of excerpts from the work. The concert was preceded by a panel during which ethnomusicologist Lara Peligrinelli moderated a discussion between Du Yun, librettist Royce Vavrek, and conductor Julian Wachner. Through vocal, acoustic, and electronic sound, […]

Posted inProfile

Alchemy

The audience had to creep carefully around the performance space, as a constellation of strings were stretched at hip-height from one wall to another. Ellen Fullman had spent the day here, setting up her traveling installation, the Long String Instrument; she had stretched dozens of stainless steel and phosphor bronze strings across the room in […]

Posted inInterview

Queer As In Fuck Yeah

“I’m always drawn to defend anything that people shit on aesthetically.” It’s hard to sum up an artist’s work in a single sentence, but for Alex Temple, that’s not a bad place to start. She has a particular interest in “reclaiming socially disapproved-of (‘cheesy’) sounds,” often taking and warping them into something more than a […]