A line from Phoebe Stuckes that has (for lack of a better word) stuck with me in the turnover of a new year: “I want to be stinking drunk in a restaurant eating bread from a basket, thinking of vintage Prada and snow.” Wait… didn’t we do this already? What year is it? Where am […]
Category: Columns
Pianist of the Century
“Igor Levit’s career is a stark demonstration of the dissolving of boundaries between art and commerce, journalism and public relations,” wrote Hartmut Welscher in an article for VAN in 2020. One can add publishing to the ever-growing list of formats whose traditional ethical boundaries Levit has blurred, as House Concert, written by Florian Zinnecker under […]
A Year in Listening
What does a year in listening really sound like? According to my Tidal 2022 Rewind, the albums I listened to the most this year tell a different story than this column: Bo Burnham’s “Inside” (because I have the triple-crown of anxiety, depression, and ADHD), the original concept recording of “Chess” (because it beats out the […]
Winter Journeys
In the third episode of “Dekalog,” Krzysztof Kieślowski’s ten-part series of interconnected short films (each based on one of the Ten Commandments), cab driver Janusz’s Christmas Eve is interrupted by Ewa, his former extramarital lover. Janusz abandons his family dinner to assist Ewa with what he believes is tracking down her missing husband. What Ewa […]
Leagues of Nations
Among the cameos in Singing Like Germans: Black Musicians in the Land of Bach, Beethoven and Brahms, Kira Thurman’s jam-packed history of Black performers in German-speaking Europe, is Claudio Brindis de Salas Garrido. Thurman describes the virtuoso violinist as “a mirror reflecting German conversations about Black masculine musicality in the Kaiserreich,” or the German Empire. […]
A Closer Look
“It is strange,” writes Sonya Bilocerkowycz in On Our Way Home from the Revolution, “how the match of one fruit seller in Tunisia lit the whole Arab Spring. I wonder what would have happened if the local authorities in Sidi Bouzid had just picked a different day to bother him.… Now it’s after the revolution, […]
Reference, Reframed
When you think about it, it’s a wonder that Dvořák didn’t emerge as a hero of the pandemic. Perhaps we’re too conditioned to think of him as the composer of the “Slavonic Dances” or that one opera that has demonstrated you can have a Black woman play the Little Mermaid and the world won’t implode. […]
Weather Patterns
“You are the sky,” says the Tibetan Buddhist nun Pema Chödrön. “Everything else is just the weather.” Chödrön offers this as a guide for dealing with strong emotions—a more tangible variation on “this too shall pass.” Emotions arise and, while they feel like they may fully inhabit every pore of our body, they rarely leave […]
In the Wake
Classical music isn’t known for being in-the-moment: Seasons are planned years in advance, and there are people who still refer to “The Rite of Spring” (1913) as “contemporary” music. Even in this deferred environment, however, lockdown albums and works composed in the mindset of social distancing are nothing new. With so much downtime and so […]
Sense and Sensuality
Simon Zaoui, Pierre Fouchenneret, Raphaël Merlin, Marie Chilemme, and Quatuor Strada: “Gabriel Fauré: Horizons II” (Aparté) Marie-Eve Munger, Les Boréades de Montréal, Philippe Bourque: “Maestrino Mozart” (ATMA Classique) Mirga Gražinytė-Tyla, City of Birmingham Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, Kirill Gerstein, Marie-Christine Zupancic: “Mieczysław Weinberg: Symphonies Nos. 3 & 7, Flute Concerto No. 1” (Deutsche Grammophon) […]