New in VAN
Essay
New Masters
Holly Herndon and Mat Dryhurst’s “Starmirror” and the future of AI in music
Turned-On Bach
Violist Shasta Ellenbogen’s performance of Bach’s Cello Suite No. 1 on OnlyFans, reviewed at the bar
Most read last week
Perceptual Astronomy
Maryanne Amacher’s prescient, unperformed AI grand opera “Intelligent Life”
“The Music Still Has to Go On”
Composer Carlos Simon on continuing his work at the Kennedy Center
Posing The Question of Palestine at Crisco Disco
On Luca Guadagnino’s staging of “The Death of Klinghoffer” at the Maggio Musicale in Florence

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AI everywhere
The Intelligence of Bodies
The philosophical and musical failings of “Beethoven X: The AI Project”
“A Call To Action, Disguised As A Symphony”
Through her “Alan” project, lyricist, philanthropist and controversial former surgeon Susan Lim puts forward her ideas about transhumanism. Does the UK’s classical music scene have the strength to push back?
Machine in the Gods
For Bayreuth’s next “Ring” cycle, AI will “play a role on stage.” What exactly does that mean?
The Nobility and Carelessness of Humans
Reimaginings of “Così fan tutte” in Detroit and Minneapolis
California dreamin’
Exotic Educational Experiences
Why the San Francisco Conservatory of Music has gone on a buying spree
City of Beasts
Esa-Pekka Salonen leads his last concerts as the San Francisco Symphony’s music director this week amid turmoil at the institution. Can the billionaire capital of the U.S. save its orchestra?

















