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Report
Opera’s Siren Servers
In its many lives, the platform Operabase has tried to become indispensable. Will its purchase this week by Events.com finally make that possible?
In Defense of the Program Note
Thoughtful written concert programs are on the outs. But they remain essential guiding lights for listening.
Most read last week
Life After Monsieur
In memory of Hans Messner, who died this week after dedicating most of his life to Pierre Boulez
License to Earn
Regional orchestras see film music concerts as a way to generate money and expand their audience. But do these events benefit smaller ensembles, or big intellectual property holders instead?
Bach Festival Leipzig Stands By John Eliot Gardiner
The conductor will return to the festival following an allegation of “boundary crossing misconduct”
Pre-Election Paralysis
Julien Chavaz, the artistic director the Theater Magdeburg, on what an AfD government would mean for his house
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What ails opera
The Case for a New Music Theater
Directorial high-handedness is everywhere in the opera world. But new operas can only reach a wider audience when the staging realizes the qualities inherent in the work, rather than damaging or even destroying it.
The Struggle Bus
The Komische Oper says every euro is a struggle. How careful are its leaders being with its funding?
Cellists
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New in VAN
Plenty of Fish
Le Poisson Rouge was New York’s leading alternative classical music venue. So how did it end up as a commercial club—and what does its decline mean for classical’s counterculture?
Tristan and Isolde and the Politicians
How political interference almost sunk the first São Paulo performance of Wagner’s opera in nearly 50 years
ELISION Dossier
If I say it’s an experiment, you might think me overeager to abdicate on certitude’s authority. So I won’t say that.
From five years ago…
Fiddling While California Burns
A composer appeals for curators of international music events and touring orchestras to take action
From ten years ago…
Last But Not Least
