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In case you missed it

• 31.03.2016

An interview with the German mezzo-soprano Waltraud Meier.

, • 30.06.2016

The evolving relevance of John Adams and his music.

• 15.02.2018

How to alleviate classical music’s insularity.

, • 31.03.2017

A profile of Michael Maierhof, explorer of objects.

• 04.08.2016

An interview with the composer and sound artist Lisa R. Coons.

• 26.05.2016

Artists take over the Brazilian Ministry of Culture.

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Video of the Week

Internationaler Mozart Competition 2020

There is music all around you wherever you go in the City of Mozart, Salzburg: The Salzburg Festival, the Mozart Week of the International Mozarteum Foundation, the Easter and Whitsun Festivals, as well as the Mozarteum University Salzburg with widely acclaimed academic and artistic programs and the International Summer Academy. All of them regularly attract some of the world’s most renowned artist – many of whom laureates of the International Mozart Competition Salzburg.

We are absolutely thrilled to welcome many young artists from all over the world to Salzburg and can’t wait to discover new personalities in all their diversity. We hope you will enjoy meeting these extraordinary musicians from many different cultural backgrounds and will seize the opportunity to celebrate diversity united on one stage.

Whether you are participating or simply listening to some of the performances we want you to let beautiful music and the picturesque atmosphere of Salzburg enrapture you by joining this competition with its unique festival character

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Audio of the Week

Jay Schwartz

“Tonus – Music for Orchestra VI,” a new piece by Jay Schwartz, who we profiled in 2018, makes an excellent accompaniment to thunderstorms. It distorts tonal harmonies with microtones in a way that makes your ears distrust them. Turn the headphones up.

Editor’s picks

• 17.11.2016

An interview with the violinist Hilary Hahn.

• 10.11.2016

A profile of the Cambodian composer Him Sophy.

• 30.11.2017

An interview with Jean Rondeau.

• 18.01.2018

Who has it and who doesn’t, in issue #88.

An interview with Brian Ferneyhough.

Kampela on Ferneyhough’s “La terre est un homme” and other strange, beautiful music.

“When you follow Ferneyhough, well, you are going to be alone with your music.”

British musicians, including the composer Charlotte Bray, reckon with the triggering of Article 50.

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vanmusicmag @vanmusicmag

19.06.2019 • 06:22

RT @ogiovetti:Since it's Juneteenth maybe now's a good time to stop using blackface in opera this is just an idea https://t.co/WFGyUZ7sqq

19.06.2019 • 03:43

RT @a_darraghkelly:looking through @vanmusicmag queer articles and someone says their new music erotic experience was watching… https://t.co/eQ49irscB6

19.06.2019 • 02:39

Happy pride month! Classical music is queer. https://t.co/IMK75tZtVB

18.06.2019 • 03:03

RT @AlterAnthony:I wrote about Croatian electroacoustic music through the decades and Višeslav Laboš's work at rediscovering it. https://t.co/Qce0s8YxBm

18.06.2019 • 02:02

.@AlterAnthony on the loss and rediscovery of Croatia's pioneering electroacoustic music scene: https://t.co/tjbPvma34H

#pieces

...we’re reading, listening to, and putting together.

2 years ago •

A thoughtful response to our Klezmer playlist from issue #56.

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2 years ago •

Win a staff writer gig at VAN.

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2 years ago •

Issue #54.5 has some of our favorite articles from 2017 so far, for free.

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