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A guide to livestream concerts during the coronavirus outbreak.

Here’s our preliminary list of freely available performances that can be heard (and seen) online, including live concerts to virtual audiences and shows from institutional archives. We’ll keep adding to this list, and we invite institutions and fans to send us new links as they come in.

In case you missed it

, • 06.10.2016

What’s behind the obsession with children who compose?

, • 17.08.2017

The harpsichordist Richard Egarr’s music between worlds.

, • 20.01.2020

Remembering Linda Shaver-Gleason.

• 15.07.2016

Composing in the era of entrepreneurship.

• 05.10.2017

Remembering Klaus Huber.

, • 18.05.2017

How two amateurs created the world’s most important resource on the French composer.




Video of the Week

The Complete 555 Domenico Scarlatti Harpsichord Sonatas

A person who attempts to listen to all of Scarlatti’s 550 harpsichord sonatas may come to feel that they all eventually become indistinguishable. Enter the glorious literalism of the internet: here is each piece played at the same time, in the version of Scott Ross, resulting in a texture that commenters compare to Penderecki, Messiaen, Ligeti, Merzbow, and Metal Machine Music. Allow us one more analogy: this is the musical version of Soylent, compressing a composer’s life work into an oddly compelling beige/gray smoothie sludge.


Audio of the Week

“Losing Touch,” by Edmund Campion

“Losing Touch,” by the American composer Edmund Campion, a student of Gérard Grisey, has something of his mentor’s pristine microtonal rigor, combined with the West Coast influences of Harry Partch. Performed on vibraphone here by Fernando Rocha.

Editor’s picks

• 08.02.2018

Does music really have the power to heal veterans?

• 08.02.2018

On “dead wasps in the jam-jar (ii).”

• 18.01.2016

Is El Sistema really a revolution in music education?

, • 14.12.2017

And almost seriously injured myself.

An interview with Brian Ferneyhough.

Kampela on Ferneyhough’s “La terre est un homme” and other strange, beautiful music.

“When you follow Ferneyhough, well, you are going to be alone with your music.”

British musicians, including the composer Charlotte Bray, reckon with the triggering of Article 50.


4 days ago

VAN Magazine

Fair practices even in normal times 💪💪 ... See MoreSee Less

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vanmusicmag @vanmusicmag

27.03.2020 • 03:13

RT @fernandochavese:'Sonare' suena exactamente como mi cerebro estos días; 'Celare' como quisiera que sonara / A profile of Cenk Ergün. https://t.co/ZW3mx79Zb0

26.03.2020 • 04:43

RT @glendasplenda:My profile of the brilliant Cenk Ergün, with big thanks to Jay of @jackquartet and @AlanPierson: https://t.co/eeALaAtwhF

26.03.2020 • 04:37

RT @boulezian:Bonus/encore/coda: my piece for @vanmusicmag on the opening concert of @boulezsaal in 2017. One of the places I mis… https://t.co/BttQ8uBxZJ

24.03.2020 • 05:41

Fair practices even in normal times 💪💪 https://t.co/z41CvtD9Mc

24.03.2020 • 05:34

RT @daviewheeler:“Like many other optimists, I was struck dumb by the course of current events” —John Cage @vanmusicmag https://t.co/GHEsN8SqMl


...we’re reading, listening to, and putting together.

3 years ago •

A thoughtful response to our Klezmer playlist from issue #56.

Keep Reading
3 years ago •

Win a staff writer gig at VAN.

Keep Reading
3 years ago •

Issue #54.5 has some of our favorite articles from 2017 so far, for free.

Keep Reading


Stream of the Day

International Telekom Beethoven Competition
Orchestra final

The 8th International Telekom Beethoven Competition will conclude with the orchestra finale at the Telekom Forum Bonn. Together with the Beethoven Orchestra Bonn, the three finalists will interpret one of Beethoven’s piano concertos under the direction of General Music Director Dirk Kaftan. Which piano concertos will be heard, however, will be decided shortly before the finale: all participating pianists will prepare two piano concertos. But which work is interpreted by which finalist is decided by lot…

The Telekom Beethoven Competition Bonn, for young pianists, pursues two central objectives: It is primarily dedicated to promoting young talent and contributes to keeping Ludwig van Beethoven’s great legacy alive and active in his hometown of Bonn.