In case you missed it
#11 • 09.06.2016
What classical music gets up to on Facebook, Twitter, and Instagram.
#47 • 30.03.2017
What gets lost when orchestras share their conductors.
#118 • 30.08.2018
On Tippet Rise, a classical music festival on Native American land.
#103 • 03.05.2018
Alexei Lubimov is looking for adventure.
#23 • 15.09.2016
The mixes of the electroacoustic composer Carl Stone.
#94 • 01.03.2018
Why airlines don’t care about your instrument.
Video of the Week
Imagine that Pavarotti had actually felt well enough to give his scheduled performance of “Nessun Dorma” at the 1998 GRAMMY’s. It’s likely that nothing remarkable would have happened, Pavarotti probably would have received an obligatory-but-milquetoast standing ovation, and the world would have moved on. But that’s not what happened. Instead, we, the undeserving, were gifted this monstrous performance by the Queen of Soul, Aretha Franklin. It is simultaneously a flawless rendition and a giant “screw-you” to anyone who thinks genre distinctions make something like this impossible. Franklin passed away on August 16, 2018.
Audio of the Week
This work by the late Romanian spectral composer Ana-Maria Avram is philosophically apocalyptic. “Who would want to live in a world which is just not quite fatal?”
Collection: Marx At 200
200 years since his birth, Birmingham Contemporary Music Group and Karl Marx Exhibitions Organisation present a series of concerts, soundart installations and events commemorating the life and work of Karl Marx in Trier in Germany and Birmingham and London in the UK.
Faced with a hostile government, new, improvised music in Russia is flourishing on the fringe.
An interview with the journalist and musicologist William Robin on “a scene without a name.”