Posted inInterview

Digging

Cassie Kinoshi’s compositions appear on her SoundCloud in a couple of unassuming annual collections. The six-minute clips are given generic titles like “Compositions: Instrumental Showreel 2020.” But beneath their utilitarian form lie collections of substantial creativity. “Afronaut,” a gritty Afrofuturist track from the Mercury Award-nominated SEED Ensemble, sits alongside “If She Could Dance Naked Under […]

Posted inReport

The Insurmountable Wall

In July 2019, the Aspen Music Festival and School staged a concert production of Rodger and Hammerstein’s “South Pacific.” This was a performance of the show’s 2006 revised concert score, a score that had preserved Pacific Islander stereotypes and an anti-Japanese racial slur. It was so offensive to one student in the orchestra that he […]