Così fan tutte” is a peculiar opera. The last of the Mozart-Da Ponte trilogy, it was the least performed in the creators’ lifetimes, then largely disappeared for most of the 19th and the first half of the 20th century. Successful performances after World War II at Glyndebourne brought new interest in the work, and its popularity resurged, rising to become the 11th most performed opera in the world by the late aughts.
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James C. Taylor is a longtime correspondent for Opera Magazine and a frequent contributor to the Los Angeles Times, The Economist, New Jersey Star-Ledger, and other publications. He also edits and produces... More by James C. Taylor
