On the approach to Troldhaugen, a straight, wide avenue splits into spaghetti paths: down to the shoreside grave, up to the villa, left to the glass-fronted concert hall, and further left to the composing hut. Tracing each route is like walking through a video game landscape. This is World of Grieg, a place where footsteps slow, becoming reverent.
Hugh Morris is a freelance writer and editor based in London. More by Hugh Morris

