Elīna Garanča stunned audiences when I saw her in the Metropolitan Opera’s “Roberto Devereux” in March, with a memorable performance even against Sondra Radvanovsky’s history-making role. She received an Opera News Award along with Waltraud Meier at the Plaza Hotel in New York on April 10, where we spoke to her about new versus old productions, helpful stage directors, and what would cause her to turn down a role.
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An interview with Elīna Garanča
