In 1905, two years after his Met debut and two minutes into an interview with the New York Times, Enrico Caruso came tantalizingly, presciently close to coining the term “fake news.” Over oysters and martinis, the first question launched, the Neapolitan tenor looked at his interviewer incredulously:
Engineered Consent
How Enrico Caruso’s arrest in the Central Park Monkey House eerily predicted Plácido Domingo’s #MeToo moment
