Launched at Glasgow’s Glad Cafe in the weeks just before the first lockdown back in March 2020, Over/At has grown to become more than just a concert series. It’s now more like a “trans music-making world,” to quote the project website, encompassing record releases, published sheet music, and new commissions. Supported by the Sound and Music charity’s Composer-Curator initiative, the project was founded by Rufus Isabel Elliot, a composer originally from East London who now lives in Scotland.
Later this month, Over/At, in association with Greater Lanarkshire Auricular Research Council (GLARC), will release Elliot’s latest composition, “A/am/ams (come ashore; turn over),” a “kind of one-act play” scored for violin, guitar, and bass, with the voice of traditional Scottish singer Josie Vallely. I met up with Elliot in the canteen of the British Library in London to discuss narrative, tradition, voice, and identity.
Open the Closed Bubble
An interview with composer Rufus Isabel Elliot
