The reality outside the virtual reality is this: a blindingly sunny pre-fall day on Glasgow’s South Side gives way to a dark, almost bare studio in Offline (formerly Glasgow Artists’ Moving Image Studios). The room is divided into two halves, each with a square, slightly soft, and pleasingly bumpy fabric covering, and a stool for audience members to sit on as they take off their shoes.
A Spectator to Yourself
The virtual reality opera “Songs for a Passerby” in review
