I first learned about opera’s tradition of trouser roles from a trio of puppets. As a toddler, I’d often watch the 1972-73 series “Who’s Afraid of Opera?,” which featured a trio of audience members created by puppeteer Larry Berthelson: Rudy the Lion, Sir William the goat, and Billy, the baby goat nephew of Sir William. In one episode, a family-friendly rendition of Gounod’s “Faust,” the trio spot Siébel, the young man in love with Marguerite.


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