In 2024, we reported on the meteoric rise of a composer named Alexey Shor. His music, which resembled the kind of music theory homework that gets Bs and Cs (and that multiple musicians compared to material produced by AI) was suddenly everywhere: in Valetta, Yerevan, and Dubai, but also in London, New York and Amsterdam. […]
Author Archives: Hugh Morris
Hugh Morris is a freelance writer and editor based in London.
Posted inReport
The Numbers Game
It begins with Timothée Chalamet’s recent offhand remark about opera, because of course it does. Things have moved quickly since I began my journalism career in 2020. That was a time of near-instant internet news. Since then, Buzzfeed died a death, news brands have pivoted to video, Google AI has allowed users to sidestep news […]
Posted inReport
Stand By Your Man
“If you want to be an opinionated columnist or a partisan campaigner on social media,” the BBC’s director general Tim Davie wrote in October 2020, “then that is a valid choice, but you should not be working at the BBC.” When Davie took over from Tony Hall as director general in 2020 (and in the […]
Posted inBarTálk
Sin City Drifting
Bertolt Brecht and Kurt Weill’s “Rise and Fall of the City of Mahagonny” is a work of relentless cynicism, where three runaway convicts build a Sin City that peaks then crashes. The opera also charts the gradual souring of a philosophy through liberal ideals, to the libertarian pursuit of freedom at all cost, to an […]
Posted inBreaking
Emails Raise Questions About Conductor’s Relationship with Jeffrey Epstein
“I found a great girl for your next stay in Paris,” the conductor Frédéric Chaslin wrote to Jeffrey Epstein in September 2013. Chaslin told the financier, who first pleaded guilty of solicitation of prostitution and of solicitation of prostitution with a minor in 2008, that the girl was a 21-year-old philosophy student who spoke three […]
Posted inOpinion
Solidarity When It Suits
On Saturday, Oliver Mears, the director of opera at London’s Royal Ballet and Opera, walked on stage at the curtain call of “Il Trovatore” to try to take down a Palestine flag that was unveiled by a dancer. Mears began to aggressively rip the flag from the performer’s hands, then stormed off the stage when […]
Posted inReport
“A Call To Action, Disguised As A Symphony”
At the Barbican Centre in early May, the Royal Philharmonic Orchestra (RPO), the City of London Choir and London Voices premiered a 49-minute piece titled “Lim Cosmic Rhapsody.” Their recording of the piece, which featured pianist Jean-Yves Thibaudet, had just been released on Decca Classics, and the performance marked the first outing for score, published […]
Posted inBarTálk
The Clear White Light
In a staging of John Tavener’s “The Protecting Veil” at Clapton’s Round Chapel at Spitalfields Music Festival on Sunday, director Anna Morrissey led musicians and dancers from Trinity Laban Conservatoire of Music and Dance in an expressive set of stage pictures, loosely following the scheme of Tavener’s work. “The Protecting Veil” collects a set of […]
Posted inBreaking
Gagged!
Contracts seen by VAN show that the management of Northern Ballet has inserted a confidentiality clause into the agreements for its freelance musicians. In this agreement, which VAN understands has been in place since the start of the year, the artist “shall make no adverse or derogatory comment or announcement to the public press, social […]
Posted inBreaking
A Question of Endorsement
On May 26, Art Not Arms posted an open letter to Kings Place, the London classical music venue and conference center, that called for the cancellation of the upcoming Defence in Space Conference in October. This conference is sponsored by arms manufacturer Lockheed Martin. The open letter noted that Lockheed Martin is involved in the […]