On June 22, Maison Krug Champagne invited a group of tanned and tattooed influencer types (plus a few journalists) to taste their champagnes at the Reethaus, a sleek “space for radical presence” on the bank of Berlin’s river Spree. Accompanying the three-part cuvée—“Krug A ‘Clarity,’” “Krug B ‘Ensemble,’” and “Krug C ‘Sinfonia’”—was music by the […]
Author Archives: Jeffrey Arlo Brown
… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York Times, and elsewhere.
“The Music Still Has to Go On”
Like few others, the composer Carlos Simon’s artistic work has been subject to the changing political winds at the Kennedy Center. He came to the institution in 2021 as part of an industry-wide reckoning with legacies of racism. He will leave amid unprecedented turmoil and with the Center itself closed for Trumpian renovations. We spoke […]
Welcome 2 Shorworld
In 2024, we reported on the meteoric rise of a composer named Alexey Shor. His music, which resembled the kind of music theory homework that gets Bs and Cs (and that multiple musicians compared to material produced by AI) was suddenly everywhere: in Valetta, Yerevan, and Dubai, but also in London, New York and Amsterdam. […]
Is Post-Piece Silence a Recession Indicator?
The motivic development winds down. The harmony modulates into the home key. The final chord rings out. The conductor’s hands are poised at shoulder height, holding the room. The audience sits in hushed silence. And sits. And sits and sits and sits and sits and sits. I’ve lost count of the times in recent years […]
“All you had to do was go on Google”
Before conductor Frédéric Chaslin asked her if she would be interested in meeting Jeffrey Epstein, the former French philosophy student, who was 21 at the time, had only exchanged a handful of messages on Facebook with him. One day in 2013, Chaslin asked the student, who requested anonymity, if she would like to interpret for […]
Optimistic Nihilism
On Sunday, Olga Neuwirth and Elfriede Jelinek’s new opera, “Monster’s Paradise,” premiered at the Staatsoper Hamburg, staged by the house’s artistic director Tobias Kratzer. The work is a dark satire that involves a King-President obsessed with shit and modeled on Donald Trump; he battles a monster named Gorgonzilla, as vampires based on Neuwirth and Jelinek […]
Emails Raise Questions About Conductor’s Relationship with Jeffrey Epstein
“I found a great girl for your next stay in Paris,” the conductor Frédéric Chaslin wrote to Jeffrey Epstein in September 2013. Chaslin told the financier, who first pleaded guilty of solicitation of prostitution and of solicitation of prostitution with a minor in 2008, that the girl was a 21-year-old philosophy student who spoke three […]
Under The Mask
In August 2023, the orchestral conductor Rebecca Bryant Novak began a doctor of musical arts degree at the Eastman School of Music in Rochester, New York. Bryant Novak, who had spent time working as a conductor after getting her master’s, decided to go back to school to build a strong professional portfolio. She “felt like […]
“To Be a Musician Is to Desire a Piece of Music”
Last week at the Philharmonie in Berlin, the ensemble Pygmalion under conductor Raphaël Pichon performed a concert of sacred music from during and after the Thirty Years’ War (1618–1648). It was a brutally destructive conflict that by some estimates decimated the German population by half. And though religious tensions were among the causes for the […]
Playing Along
American classical music institutions have been quiet lately. Quieter than they were about the murder of George Floyd. Much quieter than they were about the full-scale Russian invasion of Ukraine. Individual musicians have often been more outspoken. But in recent years institutions have taken political positions often enough that their current silence is surprising. When […]
