Unlike, apparently, the Wagner family and the minds behind the Bayreuth Festival, I actually like and respect the “Ring” cycle as both a work of art and a way of looking at the world. It feels insane to me that the cycle needs to be defended on its own merit, being one of the most important developments in the history of both music and theater. But this is the position I’ve been put in by my first time at Bayreuth. 


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… is the architecture critic at The Nation and the creator of the blog McMansion Hell. Before joining The Nation, Wagner had previously been a critic at The Baffler and The New Republic. She lives in...