While awaiting his execution by firing squad, the painter Cavaradossi sings, “I die in despair, and never before have I loved life so much!” It’s an aria of reverie, lament, and implicit protest against his captors. In this opera, Puccini’s “Tosca” (1900), power and evil aren’t abstractions: the chief of secret police has arrested and tortured Cavaradossi, both to punish him for aiding an escaped political prisoner and to terrorize Cavaradossi’s lover, Tosca.


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