At 7 p.m. on Saturday, August 6, the line just outside the entrance of the Prospect Park Bandshell in Brooklyn, New York, was already sprawling around the block. It was the kind of large crowd that might be expected for, say, the U.S. folk-rock band The Lumineers, which had played a benefit concert at the venue only a few nights ago. But this particular evening’s entertainment offered an intriguing break from the festival’s usual diet of indie rock bands and world-music artists: the world premiere of a new classical work called “The Hubble Cantata.” Billed as “a live virtual reality performance,” according to promotional materials distributed on-site, the piece incorporated images and soundscapes, along with two soloists, chamber orchestra, and two choruses. It also featured a five-minute virtual-reality film. As one might guess from its title—referring to the 26-year-old-telescope that, through the images it has captured of outer space, has enriched our understanding of the universe beyond Earth’s borders—these elements combined to take us on a journey into the cosmos.
Cosmos
On Paola Prestini’s “The Hubble Cantata”
