Posted inReview


Among landmarks of opera, 20th-century Hungarian composer György Ligeti’s “Aventures” (1962) and “Nouvelles Aventures” (1962-5) count as two of the most bizarre. They’re both written for singers and a small (seven-piece) orchestra, but that’s where the concessions to operatic conventions end. The music—with percussion including mallets hitting tables, papers being ripped apart, and, in “Nouvelles […]

Posted inEssay

The Savior’s Gaze

Upon hearing her own stepmother the Kostelnička guiltily admit that she was the one who killed her infant child—whose frozen corpse the people of the Moravian village have now discovered—Jenůfa, initially shocked and appalled, first orders her to “stand up.” Then, going against the general bloodthirsty tenor of the crowd surrounding them, she grants her […]

Posted inReview


At 7 p.m. on Saturday, August 6, the line just outside the entrance of the Prospect Park Bandshell in Brooklyn, New York, was already sprawling around the block. It was the kind of large crowd that might be expected for, say, the U.S. folk-rock band The Lumineers, which had played a benefit concert at the […]

Posted inHistory

An Exorcism

Ernest Hemingway’s A Farewell to Arms, Jean Renoir’s “Grand Illusion,” Benjamin Britten’s “War Requiem”: These are considered some of the premier artistic anti-war statements of our time. Just as worthy to be a part of this company is French composer Arthur Honegger’s Third Symphony—a work that you may not have heard in quite a while. […]