The South African composer Philip Miller isn’t in his room. I’m at the reception of Berlin’s Ellington Hotel, and I’m about to go home, but there he is, hurrying around the corner. There were some last minute technical problems in his work “Refuse the Hour,” a collaboration with the artist William Kentridge and the choreographer Dada Masilo, that had to be taken care of. We sit down in the lounge, as the preparations for Germany’s soccer game against Italy reach fever pitch.
Paper Music
An interview with Philip Miller
