Posted inInterview

An Object Beyond Music

In 2020, composer Sara Glojnarić won Berlin’s “Neue Szenen” competition, awarded the prize by a jury chaired by Chaya Czernowin. In 2018, her work “#popfem,” which artfully dismantles anti-feminist and racist propaganda, received Darmstadt’s Kranichstein Music Prize. “I’d never thought that my identity as a queer woman could have such a strong influence on my work […]

Posted inReport

Built and Abandoned

Georg Friedrich Haas’s new orchestral work opens at the void. A solo contraforte—a sort of improved contrabassoon with a more focused, melodic tone—holds a low F#. A solo violin looks down on it from far above, playing close, dissonant intervals in the high reaches of the harmonic spectrum. Slowly, the violin descends. The orchestra begins […]

Posted inInterview

The Right Questions

A recurring dream that I’ve had for the last several years: My grandmother, a Syrian refugee who spent the last 15 years of her life in the grips of progressive dementia, shows me an attic accessible through a crawlspace in her bedroom closet. It contains a trove of books, journals, letters, and photographs from our […]

Posted inProfile

Sandcastles on the Beach

Sometimes you can figure things out just by thinking them through; sometimes you can figure them out by watching other people. But sometimes you just have to grab onto the electric fence with both hands yourself. For those of us who prefer to learn by doing (including with the occasional low-voltage shock), contemporary classical composition […]

Posted inEssay

Centuries of Silence

Only then can his creative genius begin redounding, as it should, to the glory of Black music history,” writes the musicologist Robert Stevenson in his 1982 article, “The First Black Published Composer.” Stevenson’s subject was Vicente Lusitano (ca. 1520-ca. 1561), an African-Portuguese priest and musician who enjoyed an international career. Stevenson heralds works like the […]

Posted inPlaylist

A Trans Composers Playlist

Trans people are used to seeing ourselves refracted through the eyes of cis artists. Sometimes it’s done very well; more often it’s not. But what happens when we’re the ones making the art? Much has been written about video games, novels, and rock and pop music by trans artists, but our presence in the contemporary […]

Posted inInterview

Degrees of Density

“99 percent of the day, we are in the thinking mode,” Peter Ablinger tells me across a table in the lobby of our hotel in Bergen. “And in opposition to that, if we decide now to be silent for a few seconds. Just…” His voice drifts off and he raises his eyebrows in anticipation. For […]

Posted inInterview

The Bernstein Effect

On an unusually sunny February afternoon, I met Craig Urquhart in his apartment at Berlin’s Nollendorfplatz, the beating heart of the city’s gay life. (Christopher Isherwood once rented a place here.) “I’m going to be very bad and have a gin,” Urquhart said, but then realized he didn’t have any ice. Urquhart was a longtime […]

Posted inInterview

A Catalyst

On October 7, National Sawdust celebrated the CD release of Du Yun’s Pulitzer-prize-winning opera “Angel’s Bone” with a performance of excerpts from the work. The concert was preceded by a panel during which ethnomusicologist Lara Peligrinelli moderated a discussion between Du Yun, librettist Royce Vavrek, and conductor Julian Wachner. Through vocal, acoustic, and electronic sound, […]