It took me a long time to even think about translating this interview. Helmut Lachenmann, the German master of a music often referred to as musique concrète instrumentale, a noisy, raw, gorgeous music, is almost as noted for his words as for his sounds. These words can seem inextricable from the language that he says them in.
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… has been an editor at VAN since 2015. He’s the author of The Life and Music of Gérard Grisey: Delirium and Form (Boydell & Brewer), and his journalism has appeared in The Baffler, the New York... More by Jeffrey Arlo Brown
